{"id":723,"date":"2019-07-22T20:03:11","date_gmt":"2019-07-22T20:03:11","guid":{"rendered":"http:\/\/alexnante.com\/?page_id=723"},"modified":"2019-07-29T00:38:34","modified_gmt":"2019-07-29T00:38:34","slug":"catalogo2","status":"publish","type":"page","link":"https:\/\/alexnante.com\/fr\/catalogo2\/","title":{"rendered":"Catalogo2"},"content":{"rendered":"

chamber music \u2013 choir\/vocal ensemble \u2013\u00a0concerti \u2013 orchestral \u2013 electro-acoustic \u2013 mixed music \u2013 pedagogical \u2013 piano \u2013 solo \u2013 voice&piano – film and short film music\u00a0<\/em><\/strong><\/p>\n

Chamber \/ Ensemble Music<\/strong><\/h1>\n

Estrella de la ma\u00f1ana – ocho canciones sobre poemas de Jacobo Fijman<\/em><\/strong><\/h4>\n

Duration : 20′<\/p>\n

Year : 2019<\/p>\n

Instrumentation : soprano and chamber orchestra<\/span><\/p>\n

Dos aforismos<\/strong><\/h4>\n

Instrumentation : saxophone soprano and tenor saxophone<\/span><\/p>\n

Duration : 4′<\/p>\n

Year : 2019<\/p>\n

Details : Written of Altera Inde.<\/p>\n

Altro castello<\/strong><\/h4>\n

Instrumentation : saxophone quartet<\/span><\/p>\n

Duration : 4′<\/p>\n

Year : 2019<\/p>\n

Details : Commissioned by Ensemble Rayuela. Based on \u00ab\u00a0Il vecchio castello\u00a0\u00bb of \u00ab\u00a0Pictures at an exhibition\u00a0\u00bb of Modest Moussorgski.<\/p>\n

Miniaturas M\u00edsticas<\/strong><\/h4>\n

Instrumentation : flute, soprano saxophone, vibraphone, guitar.<\/p>\n

Duration : 17′<\/p>\n

Year : 2018<\/p>\n

Details : Written for Kaaos Ensemble.<\/p>\n

First performance : Kaaos Ensemble, Forum Box, Helsinki, Finland, 6th April 2019.<\/p>\n

Viaje y dos caminos (Bodas Qu\u00edmicas II)<\/strong><\/h4>\n

Instrumentation : cello and cimbalom<\/p>\n

Duration : 9′<\/p>\n

Year : 2018<\/p>\n

Details : Inspired by the second chapter of the novel \u00ab\u00a0The Chymical Wedding of Christian Rosenkreutz\u00a0\u00bb of 1616.<\/p>\n

First performance : Bertille Mas, cello. Ion Curteanu, cymbalon. Attention \u2013 cultural center, Budapest, Hungary. 30 January 2019.<\/p>\n

Dynamis<\/strong><\/h4>\n

Instrumentation : wind quintet (flute, oboe, Bb clarinet, horn, bassoon)<\/p>\n

Duration : 15′<\/p>\n

Year : 2018<\/p>\n

Details : Written for the Peter E\u00f6tv\u00f6s Mentoring Programme 2018.<\/p>\n

First performance :\u00a0Camilla Hoitenga (flute), Cathy Milliken (oboe), Horia Dumitrache (clarinet) Gy\u00f6rgy Lakatos (bassoon), Andr\u00e1s Kovalcsik (horn). Budapest Music Center, Hungary, 6 October 2018.<\/p>\n

Epilogue<\/strong><\/h4>\n

Instrumentation : saxophone quartet<\/span><\/p>\n

Duration : 3′<\/p>\n

Year : 2018<\/p>\n

Details : Written for the Keuris Quartet.<\/p>\n

First performance : Keuris Quartet,\u00a0Thailand International Composition Festival, Bangkok, Thailand, 8 August 2018.<\/p>\n

Bodas Qu\u00edmicas<\/strong><\/h4>\n

Instrumentation : flute, harp, bandon\u00e9on.<\/span><\/p>\n

Duration : 15′<\/p>\n

Year : 2018<\/p>\n

Details : Commissioned by \u00ab\u00a0Ciclo de Conciertos de M\u00fasica Contempor\u00e1nea de Buenos Aires\u00a0\u00bb. Inspired by the first chapter of \u00ab\u00a0The Chymical Wedding of Christian Rosenkreutz\u00a0\u00bb of 1616.<\/p>\n

First performance : Patricia Da Dalt (flute), Lucrecia Jancsa (harp), Pablo Mainetti (bandone\u00f3n). 11 december 2018, Teatro San Mart\u00edn, Sala Casacuberta, Buenos Aires, Argentina.<\/p>\n

(N)octuor<\/strong><\/h4>\n

Instrumentation : saxophone, bassoon, vibraphone, accord\u00e9on, piano, two violins, doublebass.<\/span><\/p>\n

Duration : 8′<\/p>\n

Year : 2018<\/p>\n

Details : Written for \u00ab\u00a0Acad\u00e9mie Musicale de Villecroze\u00a0\u00bb Composition masterclass with Bruno Mantovani.<\/p>\n

First performance : DAI musicians of CNSMDP. Alex Nante, conductor.\u00a0Chapelle Saint-Victor, Villecroze, France, 6 July 2018.<\/p>\n

\n

Arianna<\/strong><\/h4>\n

Instrumentation : solo violin, string ensemble and harpsichord.<\/span><\/p>\n

Duration : 25′<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

Details : commissioned by \u00ab\u00a0Le Concert Id\u00e9al\u00a0\u00bb. Written for the concert \u201cArianna\u201d, in dialogue with the music of Pietro Antonio Locatelli. Concert conceived by Marianne Piketty and Olivier Four\u00e9s. <\/span><\/p>\n

Extended version of \u00ab\u00a0Arianna\u00a0\u00bb : 28′<\/span><\/p>\n

First performance : Marianne Piketty and \u00ab\u00a0Le Concert Id\u00e9al\u00a0\u00bb, Festival Les Travers\u00e9es, Abbaye de Noirlac, France, 23 June 2018.<\/p>\n

Quatre pi\u00e8ces pour saxophone soprano et shamisen<\/span><\/strong><\/h4>\n

Instrumentation : saxophone soprano, shamisen<\/span><\/p>\n

Duration : 9′<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

Details :\u00a0Commissioned by Hidejiro Honjoh and\u00a0<\/span>Masanori Oishi.\u00a0<\/span><\/p>\n

First performance :\u00a0Hidejiro Honjoh,\u00a0<\/span>Masanori Oishi, Maison de la Culture du Japon, Paris, France, 26 May 2018.<\/span><\/p>\n<\/div>\n

\n

Les soirs incertains<\/strong><\/h4>\n
\n

Instrumentation : Clarinet, bassoon, trumpet, piano.<\/span><\/p>\n

Duration : 9′<\/p>\n

Year : 2018<\/p>\n

Details : hommage to Debussy.<\/p>\n

First performance : Jos\u00e9phine Besan\u00e7on (clarinet), Lomic Lamouroux (bassoon), Filip Orkisz (trumpet), Antoine Ouvrard (piano). Centenaire de Claude Debussy organized by Florent Boffard, Conservatoire de Paris, 29 Mars 2018.<\/p>\n<\/div>\n<\/div>\n

\n
\n

Rite et Jeu<\/strong><\/h4>\n
\n

Instrumentation : Clarinet, bassoon, trumpet, trombone, violin, double bass.\u00a0<\/span><\/p>\n

Duration : 15\u2019<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

Details : Written for the Peter E\u00f6tv\u00f6s Mentoring Programme 2018.<\/p>\n

First performance : UMZE Ensemble. Su-Han Yang, conductor. BMC, Budapest, Hungary, 14 February 2018.<\/p>\n

Chanson nocturne (pour se dire \u00ab\u00a0au revoir\u00a0\u00bb)<\/strong><\/h4>\n
\n

Instrumentation : Trumpet and piano<\/span><\/p>\n

Duration : 6\u2019<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

First performance : No\u00e9 Nillni, Natasha Roqu\u00e9 Alsina. Petit Palais, Paris, France, 15 Mars 2018.<\/p>\n<\/div>\n<\/div>\n

\n

H\u00e9raclite\u00a0<\/strong><\/h4>\n
\n

Instrumentation : Flute (also alto flute), soprano saxophone, piano, percussion, harp, violin, cello.\u00a0<\/span><\/p>\n

Duration : 12\u2019<\/span><\/p>\n

Year : 2017<\/span><\/p>\n

Details : Written for ensemble Awkas<\/p>\n

First performance : Ensemble Awkas, conductor : Alex Nante. Hochschule der K\u00fcnste Bern, Switzerland, 18th October 2018.<\/p>\n<\/div>\n<\/div>\n

\n

Umbrales<\/strong><\/h4>\n
\n

Instrumentation : Flute, Bb clarinet, violin, cello, piano. Optional video.<\/span><\/p>\n

Duration : 11\u2019<\/span><\/p>\n

Year : 2017<\/span><\/p>\n

First performance : Samara Pierpaoli (flute), Luciano Giambastiani (clarinet), Laura Hackstein (violin), Fabio Loverso (cello), Malena Levin (piano). Andr\u00e9s Mila Prats, conductor. Centro Nacional de la M\u00fasica, Buenos Aires, Argentina, 26 october 2017.<\/span><\/p>\n

Details : Video by Juan Ignacio Guerra. Inspired in the poems of Mirabai, Jacobo Fijman and Ibn Arabi.<\/span><\/p>\n<\/div>\n

\n

Fall from your springs<\/strong><\/h4>\n

Instrumentation : three pop-harps or celtic harps<\/p>\n

Duration : 6′<\/p>\n

Year : 2017<\/p>\n

Details : Written for PopHarpe Trio. Based on John Dowland’s \u00ab\u00a0Flow my tears\u00a0\u00bb.\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n

W\u00fa<\/strong><\/h4>\n<\/div>\n<\/div>\n
\n

Instrumentation : Soprano, Chinese flutes (dizi and xiao), Bb clarinet (also bass clarinet), pipa, violin, piano.<\/p>\n

Duration : 13′<\/p>\n

Year : 2017<\/p>\n

Details : Inspired in the D\u00e0o D\u00e9 Ji\u0304ng. Written for the project \u00ab\u00a0Paris – Milan – Pekin\u00a0\u00bb, organized by the CNSMDP, Conservatorio Giuseppe Verdi de Milano and the Central Conservatory of Beijing.<\/p>\n

First performance : Hsiao-Pei Ku (soprano), Baian Chen (dizi and xiao), Riccardo Acciarino (clarinet), Apolline Kirklar (violin), Fan-He Liu (pipa), Maroussia Gentet (piano). Conductor, Alex Nante. Espace Maurice Fleuret, Conservatoire de Paris, France, 18 october 2017. \u00a0<\/span><\/p>\n<\/div>\n

Ora<\/strong><\/h4>\n

Instrumentation : string trio. optional narrator.<\/p>\n

Duration : 10′<\/p>\n

Year : 2017<\/p>\n

Details : commissioned by Trio \u00e0 Cordes de Paris. Version with narrator based on a text by Bernardo Nante and Mariano Nante, written for Annie Dutoit and the Music Festival \u00ab\u00a0Argerich’s Meeting point\u00a0\u00bb in Beppu, Japan.<\/p>\n

First performance : Trio \u00e0 Cordes de Paris. Festival \u00ab\u00a0Les Inou\u00efes\u00a0\u00bb, la Citadelle, Arras, France, 20 august 2017.<\/p>\n

Trois nocturnes – Hommage \u00e0 Claude Debussy<\/strong><\/h4>\n

Instrumentation : saxophone soprano, piano<\/p>\n

Duration : 11\u2019<\/p>\n

Year : 2017<\/p>\n

First performance : Claude Delangle, Odile Catelin-Delangle. Sala Argentina, CCK, Buenos Aires. Ciclo de M\u00fasica Contempor\u00e1nea del Complejo Teatral de Buenos Aires, 15th November 2017.<\/p>\n

Details : Commissioned by Claude Delangle and Odile Catelin-Delangle. Edited by Editions Henry Lemoine.\u00a0https:\/\/www.henry-lemoine.com\/en\/catalogue\/fiche\/29363<\/a><\/p>\n

Tango – \u00c9tude<\/strong><\/h4>\n

Instrumentation : cello, accordion, piano<\/p>\n

Duration : 7′<\/p>\n

Year : 2017<\/p>\n

First performance : Collectif Polymorphe, Les musicales de Croissy, Croissy, France, 21 may 2017.<\/p>\n

Details : commissioned by\u00a0Collectif Polymorphe<\/p>\n

Ocho variaciones sobre la imagen de un sue\u00f1o<\/strong><\/h4>\n

Instrumentation : flute, bassoon, piano<\/p>\n

Duration : 8\u2019<\/p>\n

Year : 2017<\/p>\n

First performance :\u00a0Ana Mainer, Carmen Mainer, Enrique Escart\u00edn. Ciclo de m\u00fasica de verano, Foro Romano de Zaragoza,\u00a0Spain.<\/p>\n

Burial Path<\/strong><\/h4>\n

Instrumentation : flute, violin, piano<\/p>\n

Duration : 8\u2032<\/p>\n

Year : 2017<\/p>\n

Details : based on Stan Brakhage\u2019s\u00a0short-film \u00ab\u00a0Burial Path\u00a0\u00bb. Commissioned by \u00ab\u00a0Trio Divka\u00a0\u00bb.<\/p>\n

Arcanum<\/strong><\/h4>\n

Instrumentation : two pianos, percussion (two players)<\/p>\n

Duration : 17\u2032<\/p>\n

Year : 2017<\/p>\n

Sol Negro<\/strong><\/h4>\n

Instrumentation : flute, saxophone soprano, piano, violin, cello<\/p>\n

Duration : 10\u2019<\/p>\n

Year : 2016<\/p>\n

First performance : Ensemble Intercontemporain. Sophie Cherrier (flute), Evgeni Novikov (saxophone soprano), Maroussia Gentet (piano), Hae-Sun Kang (violin), Pierre Strauch (cello). Salle Maurice Fleuret, CNSM, Paris, France. 3rd February 2017.<\/p>\n

Der Gelbe Klang<\/strong><\/h4>\n

Instrumentation : saxophone soprano, accordion<\/p>\n

Duration : 5\u2019<\/p>\n

Year : 2016<\/p>\n

First performance : Evgeni Novikov (saxophone soprano), Yohann Juhel (accordion), Philharmonie de Paris, salle de r\u00e9p\u00e9tition. Concert \u00ab\u00a0Over the Rainbow\u00a0\u00bb organized by Cl\u00e9ment Lebrun and Hae-Sun Kang, 15 January 2017.<\/p>\n

Huit intuitions de nuit<\/strong><\/h4>\n

Instrumentation : flute, trumpet, viola<\/p>\n

Duration : 8\u2019<\/p>\n

Year : 2016<\/p>\n

First performance : Ensemble \u201cLe Pli\u201d : Am\u00e9lie\u00a0 Feihl (flute), Antonin Le Faure (viola), No\u00e9 Nillni (trumpet), Paris, France, 2016<\/p>\n

D\u00e9mocrite<\/strong><\/h4>\n

Instrumentation : flute, Bb clarinet, bassoon, vibraphone, piano, harp, violin, viola<\/p>\n

Duration : 4\u2032<\/p>\n

Year : 2016<\/p>\n

Details : included in the CD \u00ab\u00a0La m\u00fasica de nuestra casa\u00a0\u00bb of the Maison de l\u2019Argentine de Paris. Ensemble \u00c9coute :\u00a0Ana Mainer (flute),\u00a0Le\u0301a Castello (clarinet),\u00a0Carmen Mainer (bassoon),\u00a0Corentin Marillier (vibraphone),\u00a0Estreilla Besson\u00a0(piano),\u00a0Alina Traine (harp),\u00a0Ryo Kojima (violin),\u00a0Yueh-Ning Lee\u00a0(viola).<\/p>\n

String quartet n\u00ba 3 \u00ab\u00a0Lutum-Lumen \u00bb<\/strong><\/h4>\n

Duration\u00a0: 12\u2019<\/p>\n

Year\u00a0: 2016<\/p>\n

First performance\u00a0: Delmege Quartet\u00a0: Thomas Aldren (violin I), Kirsty Lovie (violin II), Joseph Fisher (viola), Hannah Innes (cello), Noirlac Academy of Quatuor Diotima, Noirlac, France, 2016.\u00a0<\/strong><\/p>\n

Canto da perda<\/strong><\/h4>\n

Instrumentation\u00a0: soprano, flute, soprano\/alto saxophone, violin, viola, accordion, harp, piano<\/p>\n

Duration\u00a0: 8\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: DAI Contemporain- CNSMDP\u00a0: Youmi Kim (soprano), Rafal Zolkos (flute), Evgeny Novikov (saxophone), Malika Yessetova (violin), Iva Sruogyte (viola), Yohann Juhel (accordion), L\u00e9o Doum\u00e8ne (harp), Julien Blanc (piano). Conductor\u00a0: Simon Proust, CNSMDP, France, 9 December 2015.\u00a0<\/strong><\/p>\n

Details :\u00a0Finalist 2016 Salvatore Martirano Memorial Composition Award<\/p>\n

Tres canciones sobre el amor y la muerte<\/strong><\/h4>\n

Instrumentation\u00a0: violin, harp, piano<\/p>\n

Duration\u00a0: 12\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Daniela Lucero (violin), Alina Traine (harp), Fernando Palomeque (piano), Maison de l\u2019Argentine, Paris, France, 2015<\/p>\n

Details\u00a0: commissioned by IBERM\u00daSICAS<\/p>\n

Himnos<\/strong><\/h4>\n

Instrumentation\u00a0: Flute\/alto flute, percussion, organ, three narrators<\/p>\n

Duration\u00a0: 30\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Gabriel Alejandro Romero (flute), Gonzalo P\u00e9rez Terranova (percussion), Alex Nante (organ), Humberto Cicia, Mar\u00eda Ormaechea, Pablo Tiz\u00f3n (narrators), Buenos Aires, Argentina, 2015<\/p>\n

Quatre pi\u00e8ces (Quattro Melodie)<\/strong><\/h4>\n

Instrumentation\u00a0: flute, piano<\/p>\n

Duration\u00a0: 12\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Enrico di Felice (flute), Aurora Cogliandro (piano), Accademia di Belle Arti Tadini, Lovere, Italy, 2015<\/p>\n

Details: 1st prize composition competition\u00a0\u00ab\u00a0Les Inou\u00efes\u00a0\u00bb, Association Musique en Roue Libre, Arras, France.<\/p>\n

String quartet n \u00ba 2 \u00ab\u00a0Umbrales\u00a0\u00bb<\/strong><\/h4>\n

Duration\u00a0: 12\u2019<\/p>\n

Year\u00a0: 2014\u00a0<\/strong><\/p>\n

La Table d\u2019Emeraude<\/strong><\/h4>\n

Instrumentation\u00a0: soprano and clarinet<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

Details : Recorded by Accroche Note.<\/p>\n

Kreise im Kreis<\/strong><\/h4>\n

Instrumentation\u00a0: harp, percussion (Crotales, glockenspiel, vibraphone)<\/p>\n

Duration\u00a0: 8\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: Ensemble l\u2019Itin\u00e9raire, Universit\u00e9 Paris 8, Saint Denis, France, 19 June 2015.<\/p>\n

Fugue-Divertimento<\/strong><\/h4>\n

Instrumentation\u00a0: glockenspiel, xylophone, vibraphone, marimba<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: Excelsis percussion, Players Theater, New York City, U.S.A., 2 December 2014.<\/p>\n

Nostos<\/strong><\/h4>\n

Instrumentation\u00a0: violin, piano<\/p>\n

Duration\u00a0: 12\u2032<\/p>\n

Year\u00a0: 2014<\/p>\n

Avicinium<\/strong><\/h4>\n

Instrumentation\u00a0: five Bb clarinets<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

Tempi Arcani<\/strong><\/h4>\n

Instrumentation\u00a0: flute, vibraphone, piano<\/p>\n

Duration\u00a0: 8\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: \u00ab\u00a0SpazioMusica\u00a0\u00bb\u00a0: Enrico di Felice (flute), Roberto Migoni (vibraphone), Riccardo Leone (piano), Accademia Albertina, Torino, Italy, 2014\u00a0<\/strong><\/p>\n

He esperado en T\u00ed<\/strong><\/h4>\n

Instrumentation\u00a0: barytone, harp<\/p>\n

Duration\u00a0: 11\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

Details : recorded by V\u00edctor Torres (barytone), Alina Traine (harp).<\/p>\n

Excepto el amor intenso\u2026\u00a0<\/strong><\/h4>\n

Instrumentation\u00a0: flute, viola, harp<\/p>\n

Duration\u00a0: 7\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Gabriel Alejandro Romero (flute), Alina Traine (harp), Fundaci\u00f3n vocaci\u00f3n humana, Buenos Aires, Argentina, 2014<\/p>\n

Trueno\u00a0: Intelecto perfecto<\/strong><\/h4>\n

Instrumentation\u00a0:\u00a0<\/strong>actress, flute, oboe, clarinet, bassoon, horn, trumpet, percussion (glockenspiel, tom-tom, gran-cassa, tam-tam), harp, soprano, alto, tenor, bass, violin, viola, cello, double bass<\/p>\n

Duration\u00a0: 14\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

Kosmeo<\/strong><\/h4>\n

Instrumentation\u00a0: flute, clarinet, piano, violin, cello<\/p>\n

Duration\u00a0: 4\u2019 30\u2019\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: FLAME ensemble\u00a0: Chiara Scucces (flute), Emilio Checchini (clarinet),\u00a0Jacob Ventura (violin), Veronica Fabbri (cello), Luisa Valeria Carpignano (piano) Conductor\u00a0: Andrea Cavallari, Museo Nazionale del Bargello, Florence, Italy, 2013<\/p>\n

Five songs after Sayat Nova<\/strong><\/h4>\n

I I am the one<\/p>\n

II How am I<\/p>\n

III From the colours<\/p>\n

IV Where can I\u00a0?<\/p>\n

V We were searching<\/p>\n

Instrumentation\u00a0: soprano, oboe, 2 violins, viola, cello<\/p>\n

Duration\u00a0: 8\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

Hermes<\/strong><\/h4>\n

Instrumentation\u00a0: flute, oboe, clarinet, bass clarinet, bassoon, alto saxophone, tenor saxophone, baritone saxophone, horn, trumpet, trombone, euphonium, tuba, double bass<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

Aleph<\/strong><\/h4>\n

Instrumentation\u00a0: flute, soprano saxophone, clarinet, cello, piano<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: Juliana Moreno (flute), Fabio Goy (soprano saxophone), Sofia Kujta (clarinet), Alejandro Becerra (cello), Lorena Torales (piano), Conductor: Mart\u00edn Queralt\u00f3, Teatro Nacional Cervantes, Buenos Aires, Argentina, 2012<\/p>\n

Details\u00a0: first prize composition competition Teatro Nacional Cervantes<\/p>\n

Dialogue<\/strong><\/h4>\n

Instrumentation\u00a0: Vibraphone, piano<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: \u00ab\u00a0D\u00fao Levare\u00a0\u00bb\u00a0: Santiago Kuschnir (vibraphone) Nicol\u00e1s Galpasoro (piano), Centro Cultural Aleph, Buenos Aires, Argentina, 2013<\/p>\n

De anhelos y sombras<\/strong><\/h4>\n

Instrumentation\u00a0: flute, clarinet, piano, violin and cello<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: Ensemble \u00ab\u00a0OANM\u00a0\u00bb\u00a0: Dante de Simone (flute), Cristian Piedrahita (clarinet), Victoria Gianera (piano), Jorge Caldelari (violin), Federico Sarudiansky (cello). CNBA, Buenos Aires, Argentina, 2012<\/p>\n

String Quartet n\u00ba 1 \u00ab\u00a0Hin\u00fcber Wall Ich\u00a0\u00bb with tenor soloist<\/strong><\/h4>\n

Duration\u00a0: 20\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: \u00a0El\u00edas Ongay (tenor), Julio Dominguez (violin I), Gonzalo Arg\u00fcello (violin II), Juan Castellanos (viola), Lucas Caballero (cello), Fundaci\u00f3n Vocaci\u00f3n Humana, Buenos Aires Argentina, 2012<\/p>\n

Lejos<\/strong><\/h4>\n

Instrumentation\u00a0: Violin, harp<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2011<\/p>\n

First performance\u00a0: Alina Traine, Gonzalo Arg\u00fcello, Buenos Aires, Argentina, 2011<\/p>\n

Abyssos<\/strong><\/h4>\n

Instrumentation\u00a0: String ensemble<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2011<\/p>\n

Details\u00a0: Honorable mention in \u00ab\u00a0Concurso Orquesta de Cuerdas Sibelius, 2011\u00a0\u00bb\u00a0<\/strong><\/p>\n

Five Gestures<\/strong><\/h4>\n

Instrumentation\u00a0: Violin and piano<\/p>\n

Duration\u00a0: 6\u2019<\/p>\n

Year\u00a0: 2010. Revision\u00a0: 2016.\u00a0<\/strong><\/p>\n

First performance :\u00a0Jorge\u00a0Caldelari, violin. Javier Mas, piano. Teatro Libertad, Buenos Aires, Argentina, 16 may 2017.<\/p>\n

Choir\/Vocal Ensemble\u00a0<\/strong><\/h1>\n

Oh, Marvel\u00a0<\/strong><\/h4>\n

Duration\u00a0: 7\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: (partial performance) EXAUDI, Aldeburgh, Great Britain, 2015\u00a0<\/strong><\/p>\n

Tres Himnos\u00a0<\/strong><\/h4>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2013\u00a0<\/strong><\/p>\n

Der Abend<\/strong><\/h4>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2012\u00a0<\/strong><\/p>\n

Kyrie-Agnus Dei<\/strong><\/h4>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2011<\/p>\n

Concerti<\/strong><\/h1>\n

Flute concerto \u00ab\u00a0de luz y sue\u00f1o\u00a0\u00bb<\/strong><\/h4>\n

Instrumentation : solo flute, orchestra<\/p>\n

Duration : 20′<\/p>\n

Year : 2019<\/p>\n

Details : Commissioned by the Peter E\u00f6tv\u00f6s Mentoring Program. Written for Camilla Hoitenga, Su-Han Yang and the Hungarian Radio Symphony Orchestra.<\/p>\n

Concierto para piano y orquesta\u00a0<\/strong><\/h4>\n

Instrumentation : solo piano, orchestra<\/p>\n

Duration : 30\u2032<\/p>\n

Year : 2016<\/p>\n

First performance : Fernando Palomeque (piano), Jos\u00e9 Ariel Ram\u00edrez Duarte (conductor), Orquesta Juvenil Nacional Jos\u00e9 de San Mart\u00edn, Sala Argentina, CCK, Buenos Aires, Argentina, 2016<\/p>\n

Details : Commission \u00ab\u00a0Orquesta Sinf\u00f3nica Juvenil Nacional Jos\u00e9 de San Mart\u00edn\u00a0\u00bb.<\/p>\n

M\u00fasica Nocturna,\u00a0for harp and nine instruments<\/strong><\/h4>\n

Instrumentation : solo harp, flute, two clarinets, C trumpet, trombone, vibraphone, two cellos, double bass.<\/p>\n

Duration : 16\u2032<\/p>\n

Year : 2016<\/p>\n

First performance : Alina Traine (harp), Sergio Catal\u00e1n (flauta), Federico Landaburu, Alejandro Cancelos (clarinets), Mat\u00edas Nieva (trumpet), Juli\u00e1n Rodr\u00edguez Astorga (trombone), Favio Loverso, Alejandro Becerra (cellos), Carlos Vega (contrabajo), Bruno Lobianco\u00a0(vibraphone). Santiago Santero, conductor. La Usina, Buenos Aires, Argentina, 20\/11\/2016<\/p>\n

Details : Commission \u00ab\u00a0Ciclo de Conciertos de M\u00fasica Contempor\u00e1nea del Teatro General San Mart\u00edn\u00a0\u00bb.<\/p>\n

Concierto para piano n\u00ba 2<\/strong><\/h4>\n

Instrumentation\u00a0: solo piano, 2 violins, viola, cello<\/p>\n

Duration\u00a0: 13\u2019<\/p>\n

Year : 2015<\/p>\n

First performance\u00a0: Ensemble \u00c9coute\u00a0: Fernando Palomeque (piano), Daniela Lucero (violin I), Kervi Bravo Araque (violin II), YuehNing Lee (alto), Angela Escauriaza (cello), Paris, France, 21 June 2015.<\/p>\n

Concierto para piano n\u00ba 1 \u00ab\u00a0Evocaci\u00f3n\u00a0\u00bb<\/strong><\/h4>\n

Instrumentation\u00a0: solo piano, flute, soprano saxophone, clarinet, horn, trumpet, trombone, 2 violins, cello, double bass<\/p>\n

Duration\u00a0: 15\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Axel Quincke (piano), ensemble \u00ab\u00a0Geam\u00a0\u00bb and invited musicians\u00a0: Guadalupe Planes, (flute), Ana Estefan\u00eda Schanton (soprano saxophone) Cristian Piedrahita (clarinet), Pablo Traine, (horn), Javier Mas, (trumpet), Alexis Gonzalez, (trombone), Gonzalo Arg\u00fcello, (violin I), Laura Wittmann, (viol\u00edn 2), Ellen Casey, (cello), Yamila Angulo (double-bass). Conductor\u00a0: Alex Nante, Auditorio Esnaola, Buenos Aires, Argentina<\/p>\n

Details\u00a0: Honorable mention in \u00ab\u00a0Premios Nacionales 2010-2013\u00a0\u00bb, Argentina<\/p>\n

Bruma\u00a0<\/strong><\/h4>\n

Instrumentation\u00a0: solo violin, orchestra<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year: 2011<\/p>\n

Electroacustic<\/strong><\/h1>\n

Furor Aetatis\u00a0<\/strong><\/h4>\n

Duration : 3\u201930\u2019\u2019<\/p>\n

Year : 2016<\/p>\n

First performance : Concert ELECTRO(S), Salle Fleuret, CNSMDP, Paris, France, 2017.<\/p>\n

\u00c9tude \u00ab\u00a0Glossolalia\u00a0\u00bb<\/strong><\/h4>\n

Duration : 5\u2032<\/p>\n

Year : 2015<\/p>\n

First performance : Salle Fleuret, CNSMDP, Paris, France, 2015.<\/p>\n

Mixed music<\/strong><\/h1>\n

Estrella de la ma\u00f1ana<\/strong><\/h4>\n

Instrumentation\u00a0: piano, electronics<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year : 2017<\/p>\n

First performance : Antoine Ouvrard, Salle Maurice Fleuret, CNSMDP, Paris, France, march 23th 2017<\/p>\n

Details : based on the book \u00ab\u00a0Estrella de la ma\u00f1ana\u00a0\u00bb (1931) of Jacobo Fijman.<\/p>\n

Prana<\/strong><\/h4>\n

Instrumentation\u00a0: piano, electronics<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Ezequiel Castro, Casa de la Cultura, Ramos Mej\u00eda, Buenos Aires, Argentina, 26 July 2014.<\/p>\n

Orchestra\u00a0<\/strong><\/h1>\n

Invocaci\u00f3n<\/strong><\/h4>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2019<\/p>\n

Details\u00a0: Commissioned by Teatro Col\u00f3n.\u00a0Edited by\u00a0Durand \/ Universal Music Publishing Classical.<\/p>\n

https:\/\/www.durand-salabert-eschig.com\/fr-FR\/News\/2019\/03\/Alex-Nante—Invocation.aspx<\/a><\/p>\n

First performance : Orquesta Filarm\u00f3nica de Buenos Aires, conductor : Enrique Arturo Diemecke. Teatro Col\u00f3n, Buenos Aires, Argentina, 14th March 2019.<\/p>\n

La p\u00e9r\u00e9grination vers l\u2019Ouest\u00a0<\/strong><\/h4>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: avant premi\u00e8re\u00a0: Orchestre National d\u2019\u00cele de France, conductor\u00a0: Jean Deroyer, Alfortville, France, 18 February 2016. Premi\u00e8re\u00a0: Orchestre National d\u2019\u00cele de France, conductor\u00a0: Case Scaglione, Mennecy, France, 11 March 2016.<\/p>\n

Details\u00a0: Commissioned by the Orchestre National d\u2019\u00cele de France. First prize composition competition \u00ab\u00a0\u00cele de Cr\u00e9ations\u00a0\u00bb. Edited by\u00a0Durand \/ Universal Music Publishing Classical.<\/p>\n

http:\/\/www.durand-salabert-eschig.com\/en-GB\/Composers\/N\/Nante-Alex.aspx<\/a><\/p>\n

Helles Bild<\/strong><\/h4>\n

Duration : 12\u2019<\/p>\n

Year : 2014. Revision : 2018.<\/p>\n

Details : 2nd prize in the Basel Composition Competition 2019.<\/p>\n

First performance : Basel Symphony Orchestra, conductor : Francesc Prats. Basel Composition Competition, Basel, Switzerland. 22nd February 2019.<\/p>\n

Tres sue\u00f1os l\u00facidos<\/strong><\/h4>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2013. Revision: 2015<\/p>\n

First performance : Orquesta Sinf\u00f3nica Nacional, conductor Mariano Chiacchiarini. Ballena Azul, CCK, Buenos Aires, Argentina. 10th March 2017.<\/p>\n

Details\u00a0: first prize composition competition \u00ab\u00a0Guillermo Graetzer\u00a0\u00bb of SADAIC, Argentina<\/p>\n

Fulgor<\/strong><\/h4>\n

Duration\u00a0: 12\u2019<\/p>\n

Year\u00a0: 2010<\/p>\n

First performance : Daegu Contemporary Music Orchestra, Daegu, South Korea, 2010<\/p>\n

Details\u00a0: first prize composition competition \u00ab\u00a0Daegu Contemporary Music Orchestra 2010\u00a0\u00bb<\/p>\n

Pedagogical music<\/strong><\/h1>\n

Suite no. 1\u00a0<\/strong>pour enfants\u00a0<\/strong>\u201c<\/strong>Pr\u00e9sences<\/strong>\u201d<\/strong><\/h4>\n

Instrumentation : chromatic or standard-bass accordion.<\/p>\n

Duration : 6\u2019<\/p>\n

Year : 2017<\/p>\n

Details : Conceived by Yohann Juhel. Edited by \u00c9ditions Henry Lemoine.<\/p>\n

Siempre<\/strong><\/h4>\n

Instrumentation : viola<\/p>\n

Duration : 1\u2019<\/p>\n

Year : 2017<\/p>\n

Bosquejos y Selvajos<\/strong>\u00a0\u2013 para miniAula<\/h4>\n

1-Aves<\/p>\n

2-Cocodrilos<\/p>\n

3-Serpientes<\/p>\n

4-Elefantes<\/p>\n

Duration : 5\u2032<\/p>\n

Year : 2016<\/p>\n

Details : Commissioned by \u00ab\u00a0miniAula\u00a0\u00bb from the Mozarteum Argentino.<\/p>\n

Trois Intuitions\u00a0<\/strong><\/h4>\n

Instrumentation\u00a0: violin, guitar<\/p>\n

Duration\u00a0: 3\u2019 30\u2019\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Marc Guilloteau (violin) Charlotte Bretaudeau (guitar), Conservatoire de Boulogne Billancourt , France<\/p>\n

Details\u00a0: Finalist in composition competition \u00ab\u00a0Boulogne Billancourt\u00a02016 \u00bb, honorable mention<\/p>\n

Piano<\/strong><\/h1>\n

Invocation\u00a0<\/strong><\/h4>\n

Duration : 8\u2019<\/p>\n

Year : 2017<\/p>\n

First performance : Maroussia Gentet, Concours d’Orleans, France, 10 March 2018.<\/p>\n

Details : Optional contemporary piece for the finalists of Concorso Pianistico Internazionale Ferruccio Busoni 2019. Edited by\u00a0Durand \/ Universal Music Publishing Classical.<\/p>\n

Iluminaciones (from Diario de junio)<\/strong><\/h4>\n

Duration : 11\u2019<\/p>\n

Year : 2017<\/p>\n

First performance : Fernando Palomeque,\u00a0 Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 2017.<\/span><\/p>\n

Mevlana<\/strong><\/h4>\n

Duration : 7\u2019<\/p>\n

Year : 2017<\/p>\n

Two diary entries (from Diario de mayo)<\/strong><\/h4>\n

Duration : 6\u2019<\/p>\n

Year : 2016<\/p>\n

First performance : Ludovico Troncanetti, F\u00eate du Paradis, Villa Tesoriera, Torino, Italy.<\/span><\/p>\n

Details : Finalist in the composition competition \u201cFondation Franz Liszt\u201d (Italy). 2nd prize in \u201cAnton Matasovsky Composers Competition\u201d (Austria).<\/span><\/p>\n

Fuga a\u00a0seis manos<\/strong><\/h4>\n

Instrumentation : piano – six hands.<\/p>\n

Duration : 3\u2019<\/p>\n

Year : 2016<\/p>\n

Cinco A\u00f1os<\/strong><\/h4>\n

Duration : 5\u2032<\/p>\n

Year : 2016<\/p>\n

Jard\u00edn al amanecer- Jard\u00edn al atardecer<\/strong><\/h4>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: (Partial) Johanna Lou Hoyer, Berlin, Germany, 2015.<\/p>\n

(Complete) Ezequiel Castro, F\u00eates de Lumi\u00e8res, Mus\u00e9e des Beaux-arts, Lyon, France, 8 December 2018.<\/p>\n

Details\u00a0: Commissioned by NICHTSALSSCHONHEIT Magazine<\/p>\n

Diario de Abril<\/strong><\/h4>\n

01\/04 Berceuse<\/p>\n

02\/04 A Michael<\/p>\n

03\/04 Retiro<\/p>\n

04\/04 Alina I- Encantamiento<\/p>\n

05\/04 Padre Nuestro I<\/p>\n

06\/04 Liebeslied (Schumanneske)<\/p>\n

07\/04 Primera Meditaci\u00f3n<\/p>\n

08\/04 Segunda Meditaci\u00f3n<\/p>\n

09\/04 Tercera Meditaci\u00f3n<\/p>\n

10\/04 Anne et Lior<\/p>\n

11\/04 A Santiago<\/p>\n

12\/04 Alina II- Zusammenleben<\/p>\n

13\/04 Deseos<\/p>\n

14\/04 Contraste- A Daniel<\/p>\n

15\/04 Romance<\/p>\n

16\/04 Contrapunto Arcaico<\/p>\n

17\/04 Alina III- Sue\u00f1os<\/p>\n

18\/04 Sch\u00f6nberg<\/p>\n

19\/04 Alina IV- Poemas que se disuelven en el viento<\/p>\n

20\/04 Canci\u00f3n para despedir a alguien<\/p>\n

21\/04 A Stefano<\/p>\n

22\/04 Alina V- Ensue\u00f1os<\/p>\n

23\/04 A Gil et Fips<\/p>\n

24\/04 Mirabai<\/p>\n

25\/04 Alina VI- Di\u00e1logo<\/p>\n

26\/04 Iniciaci\u00f3n<\/p>\n

27\/04 Padre Nuestro II<\/p>\n

28\/04 D\u00edas y Noches<\/p>\n

29\/04 Alina VII- Transformaci\u00f3n<\/p>\n

30\/04 El amor y la separaci\u00f3n (ibn Arabi)<\/p>\n

Duration 50\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: (partial performance) Victoria Gianera, Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 15 August 2015.<\/p>\n

Espectros<\/strong><\/h4>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Alex Nante, Maison de l\u2019Argentine, Paris, France, 2015<\/p>\n

Diario de febrero<\/strong><\/h4>\n

01\/02 Primera campana<\/p>\n

02\/02 El amor comienza con la fuerza<\/p>\n

03\/02 Trama<\/p>\n

04\/02 Secreto<\/p>\n

05\/02 Pi<\/p>\n

06\/02 Rapsodie<\/p>\n

07\/02 Fervor<\/p>\n

08\/02 Fi<\/p>\n

09\/02 Fuerza<\/p>\n

10\/02 La menor I<\/p>\n

11\/02 La menor II<\/p>\n

12\/02 La menor III<\/p>\n

13\/02 La menor IV<\/p>\n

14\/02 Il dolce canto<\/p>\n

15\/02 Umbra<\/p>\n

16\/02 hybris<\/p>\n

17\/02 Katabasis<\/p>\n

18\/02 Abierto<\/p>\n

19\/02 Oriente<\/p>\n

20\/02 Inconsistencias<\/p>\n

21\/02 La fuerza comienza con el amor<\/p>\n

22\/02 Encuentro<\/p>\n

23\/02 The end of sorrow is passion<\/p>\n

24\/02 Causalidad<\/p>\n

25\/02 Parm\u00e9nides<\/p>\n

26\/02 Tombeau de Paco de Luc\u00eda<\/p>\n

27\/02 Otro canto<\/p>\n

28\/02 Dhyana<\/p>\n

Duration\u00a0: 25\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: (partial performance) Victoria Gianera, Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 10 August 2014.<\/p>\n

Diario de enero\u00a0<\/strong><\/h4>\n

01\/01 Mareo<\/p>\n

02\/01 Continua Fe<\/p>\n

03\/01 Confusa<\/p>\n

04\/01 Trabajo<\/p>\n

05\/01 Des Bruders Heimkehr<\/p>\n

06\/01 Sudor<\/p>\n

07\/01 Toda creaci\u00f3n es secreto<\/p>\n

08\/01 Ritmo<\/p>\n

09\/01 Resistencias<\/p>\n

10\/01 Perd\u00f3n siempre<\/p>\n

11\/01 D\u00edas<\/p>\n

12\/01 El eterno descanso de los que buscan<\/p>\n

13\/01 Resistencias II<\/p>\n

14\/01 La barca<\/p>\n

15\/01 Confesi\u00f3n<\/p>\n

16\/01 Desenfreno<\/p>\n

17\/01 La v\u00eda media<\/p>\n

18\/01 Oleaje<\/p>\n

19\/01 Na\u00efve<\/p>\n

20\/01 Mantra<\/p>\n

21\/01 B\u00fasqueda<\/p>\n

22\/01 Mi\u00e9rcoles<\/p>\n

23\/01 Energia<\/p>\n

24\/01 Chopiniana<\/p>\n

25\/01 Banalidad<\/p>\n

26\/01 Canci\u00f3n del amor al mundo<\/p>\n

27\/01 Lontananza<\/p>\n

28\/01 Desenfreno<\/p>\n

29\/01 Compasi\u00f3n<\/p>\n

30\/01 \u00c1baris<\/p>\n

31\/01 Viaje<\/p>\n

Duration\u00a0: 25\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: (partial performance) Victoria Gianera, Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 10 August 2014.<\/p>\n

Fifteen hymns for the alchemical images of Lambsprinck<\/strong><\/h4>\n

Duration\u00a0: 20\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance : Mat\u00edas Olivieri, Maison Heinrich Heine, Paris, France, 2015.<\/span><\/p>\n

Tres Fuerzas<\/strong><\/h4>\n

Duration\u00a0: 6\u2019<\/p>\n

Year : 2012<\/p>\n

First performance\u00a0: Ezequiel Castro, Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 10 August 2016.<\/p>\n

Mass<\/strong><\/h4>\n

I Kyrie Eleison<\/p>\n

II Credo<\/p>\n

III Gloria<\/p>\n

IV Sanctus<\/p>\n

V Agnus Dei<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: Alex Nante, La Plata, Argentina, 2012<\/p>\n

Fragments of light<\/strong><\/h4>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

First performance\u00a0: Alex Nante, Buenos Aires, Argentina, 2012<\/p>\n

Sufi<\/strong><\/h4>\n

Duration\u00a0: 6\u2019<\/p>\n

Year\u00a0: 2010<\/p>\n

First performance\u00a0: Alex Nante, Buenos Aires, Argentina, 2010<\/p>\n

Solo<\/strong><\/h1>\n

Les yeux de lumi\u00e8re\u00a0<\/strong><\/h4>\n

Instrumentation : harpsichord<\/p>\n

Duration : 2′<\/p>\n

Year : 2019<\/p>\n

Incontri<\/strong><\/h4>\n

Instrumentation : saxophone soprano<\/p>\n

Duration : 2′<\/p>\n

Year : 2018<\/p>\n

Noctarios\u00a0<\/strong><\/h4>\n

Instrumentation : harp<\/p>\n

Duration : 15′<\/p>\n

Year : 2017 – 2019<\/p>\n

First performance : (Noctarios I – II – III) Alina Traine, Maison de l’Argentine, Paris, France, 16 October 2017.<\/p>\n

Trois pi\u00e8ces pour L\u00e9o<\/strong><\/h4>\n

Instrumentation : violin<\/p>\n

Duration : 4′<\/p>\n

Year : 2018<\/p>\n

Details : Written for L\u00e9o Marillier.<\/p>\n

Fijman<\/span><\/strong><\/h4>\n

Instrumentation : harp<\/span><\/p>\n

Duration : 5′<\/p>\n

Year : 2018<\/p>\n

First performance : L\u00e9o Doum\u00e8ne, Salle Renoir, FEMIS, Paris, France, 15 June 2018.<\/p>\n

Tres preludios para Jacobo Fijman<\/strong><\/h4>\n

Instrumentation : harpsichord<\/p>\n

Duration : 6′<\/p>\n

Year : 2017<\/p>\n

First performance : Philippe Despont, Festival \u00ab\u00a0Les Inou\u00efes\u00a0\u00bb, \u00c9glise\u00a0Saint-Jean-Baptiste, Arras, France, 20 august 2017.<\/p>\n

Encuentro con la sombra<\/strong><\/h4>\n

Instrumentation : violin<\/p>\n

Duration : 10′<\/p>\n

Year : 2017<\/p>\n

First performance : Malika Yessetova. Fondation Argentine, Paris, France,\u00a015 may 2018.<\/p>\n

Self – Reliance<\/strong><\/h4>\n

Instrumentation : Trombone<\/p>\n

Duration : 11\u2019<\/p>\n

Year : 2017<\/p>\n

Details : Hommage to Ralph Waldo Emerson<\/p>\n

First performance : Pablo Fenoglio,\u00a0Centro cultural Paco Urondo, Buenos Aires, Argentina, 29 June 2018.<\/p>\n

Evocaciones\u00a0<\/strong><\/h4>\n

Instrumentation : Vibraphone<\/p>\n

Duration : 7\u2032<\/p>\n

Year : 2017<\/p>\n

Firs performance : Corentin Marillier, Conservatoire de Versailles, France, 21 june 2017.<\/p>\n

Babel\u00a0<\/strong><\/h4>\n

Instrumentation : Cello<\/p>\n

Duration : 4\u2019<\/p>\n

Year : 2016<\/p>\n

Details :\u00a0Tribute to J. L. Borges. Based on Santiago Franco\u2019s and Mariano Nante\u2019s short film<\/p>\n

First performance :\u00a0Devree Lewis, Embassy of Argentina, Washington D.C. USA, 2017.<\/p>\n

Nocturnal\u00a0<\/strong><\/h4>\n

Instrumentation : flute<\/p>\n

Duration : 7\u2032<\/p>\n

Year : 2016<\/p>\n

First performance : Francesco Gatti, \u2018Incontri Musicali a Teatro 2016\u2019, Borgo a Mozzano, Italy, 11 December 2016.<\/p>\n

Details : First prize \u201cEtymos Ensemble\u201d Call for scores.<\/p>\n

Im Bachschen Stil III<\/strong><\/h4>\n

Instrumentation : harpsichord<\/p>\n

Duration : 2\u2032<\/p>\n

Year : 2016<\/p>\n

Tres preludios para Dem\u00f3crito<\/strong><\/h4>\n

Instrumentation : harpsichord<\/p>\n

Duration : 5\u2032<\/p>\n

Year : 2016<\/p>\n

First performance : Jes\u00fas Noguera Guill\u00e9n,\u00a0l\u2019Atelier von Nagel, Paris, France, 13 april 2018.<\/p>\n

Anhelo II<\/strong><\/h4>\n

Instrumentation\u00a0: accordion<\/p>\n

Duration\u00a0: 3\u2019<\/p>\n

Year\u00a0: 2016<\/p>\n

Anhelo I<\/strong><\/h4>\n

Instrumentation\u00a0: accordion<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2016<\/p>\n

Retour du Rite<\/strong><\/h4>\n

Instrumentation\u00a0: soprano saxophone<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2016\u00a0<\/strong><\/p>\n

First performance: Evgeni Novikov, Nordic Sax Festival, Aarhus, Denmark, 5 May 2016<\/p>\n

Im Bachschen Stil II<\/strong><\/h4>\n

Instrumentation\u00a0: violin<\/p>\n

Duration\u00a0: 1\u2019<\/p>\n

Year\u00a0: 2016<\/p>\n

Im Bachschen Stil I (nach Paul Klee)<\/strong><\/h4>\n

Instrumentation\u00a0: violin<\/p>\n

Duration\u00a0: 6\u2019<\/p>\n

Year\u00a0: 2016\u00a0<\/strong><\/p>\n

First performance : Marie-Claudine Papadopoulos, Kirche L\u00fcnern, Kirchweg, Unna, Germany, 29 july 2017.<\/p>\n

Toccata \u2013 \u00c9tude<\/strong><\/h4>\n

Instrumentation\u00a0: harpsichord<\/p>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Camille Romuald, Conservatoire de Reims, France, 2015\u00a0<\/strong><\/p>\n

\u00c9tude<\/strong><\/h4>\n

Instrumentation\u00a0: violin<\/p>\n

Duration\u00a0: 6\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Winnie Huang, Reims, France, 2015<\/p>\n

\u00c9tude<\/strong><\/h4>\n

Instrumentation\u00a0: Double bass<\/p>\n

Duration\u00a0: 9\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: Yannick Trotoux, R\u00e9ponses XX – XXI, Annecy, France, 7 May 2015.<\/p>\n

Details\u00a0: Commissioned by \u00ab\u00a0Forum Internationale de cr\u00e9ation musicale et th\u00e9\u00e2trale\u00a0\u00bb.<\/p>\n

Lila<\/strong><\/h4>\n

Instrumentation\u00a0: harp<\/p>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

Garuda<\/strong><\/h4>\n

Instrumentation\u00a0: flute<\/p>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: Gabriel Alejandro Romero, La Vidriera, Buenos Aires, Argentina, 2014\u00a0<\/strong><\/p>\n

Details : Finalist in 2015 Flute New Music Consortium Composition Competition.<\/p>\n

Una Se\u00f1al<\/strong><\/h4>\n

Instrumentation\u00a0: soprano<\/p>\n

Duration\u00a0: 7\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Luc\u00eda Lalane, Centro nacional de la m\u00fasica, Buenos Aires, Argentina, 2013<\/p>\n

Mon\u00f3logo\u00a0<\/strong><\/h4>\n

Instrumentation\u00a0: Cello<\/p>\n

Duration\u00a0: 5\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

Stillness and Furor<\/strong><\/h4>\n

Instrumentation\u00a0: Violin<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

Cinco Meditaciones (From Fifteen hymns for the alchemical images of Lambsprinck)<\/strong><\/h4>\n

Instrumentation\u00a0: Harp<\/p>\n

Duration\u00a0: 7\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Alina Traine, Centro cultural Aleph, Buenos Aires, Argentina, 2013\u00a0<\/strong><\/p>\n

Enantiodromia<\/strong><\/h4>\n

Instrumentation\u00a0: Chuch Organ<\/p>\n

Duration\u00a0: 15\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: Karolina Juodelyt\u0117, Druskomanija festival, Vilnius, Lithuania, 2014<\/p>\n

Three mysteries<\/strong><\/h4>\n

Instrumentation\u00a0: Flute<\/p>\n

Duration\u00a0: 3\u201930\u2019\u2019<\/p>\n

Year\u00a0: 2010<\/p>\n

Voice and Piano<\/strong><\/h1>\n

Merci, Peter<\/span><\/strong><\/h4>\n

Instrumentation : soprano, piano<\/span><\/p>\n

Duration : 2\u2019<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

Details : Hommage to Peter E\u00f6tv\u00f6s and the Peter E\u00f6tv\u00f6s Foundation.<\/p>\n

Fijman, canciones<\/span><\/strong><\/h4>\n

Instrumentation : soprano, piano<\/span><\/p>\n

Duration : 7\u2019<\/span><\/p>\n

Year : 2018<\/span><\/p>\n

First performance : Mariana Fabi\u00e3o, soprano. Fernando Palomeque, piano. Fondation Argentine, Paris, France,\u00a015 may 2018.<\/p>\n

Himno al Dios desconocido (Proclo)<\/strong><\/h4>\n

Instrumentation :\u00a0barytone, piano<\/p>\n

Duration : 7′<\/p>\n

Year : 2017<\/p>\n

First performance : V\u00edctor Torres, baritone. Fernando Palomeque, piano. Fundaci\u00f3n Vocaci\u00f3n Humana, Buenos Aires, Argentina, 16 july 2017.<\/p>\n

The Grief (Rumi)<\/strong><\/h4>\n

Instrumentation : tenor, piano<\/p>\n

Duration : 5\u2032<\/p>\n

Year : 2016<\/p>\n

First performance : El\u00edas Ongay (tenor) Mar\u00eda Paz Sotullo (piano), Fundaci\u00f3n Vocaci\u00f3n Humana, Buenos Aires, Argentina, 2016<\/p>\n

O baci avventurosi<\/strong><\/h4>\n

Instrumentation\u00a0: tenor, piano<\/p>\n

Duration\u00a0: 4\u2019<\/p>\n

Year\u00a0: 2015<\/p>\n

First performance\u00a0: El\u00edas Ongay (tenor), Mar\u00eda Paz Sotullo (piano), Fundaci\u00f3n Vocaci\u00f3n Humana, Buenos Aires, Argentina. 2015<\/p>\n

Rom\u00e1ntica- Eight poems from Marra Signoreli<\/strong><\/h4>\n

Instrumentation\u00a0: soprano, piano<\/p>\n

Duration\u00a0: 15\u2019<\/p>\n

Year\u00a0: 2014<\/p>\n

First performance\u00a0: \u2013 Partial performance : Anabella Montes (soprano), Alex Nante (piano), Casa Fernandez Blanco, Buenos Aires, Argentina, 2014. Complete performance : Anabella Montes (soprano), Ezequiel Castro (piano), Fundaci\u00f3n Vocaci\u00f3n Humana, Buenos Aires, Argentina, 2016<\/p>\n

Six songs from Rubaiyyat\u00a0<\/strong><\/h4>\n

Instrumentation\u00a0: tenor, piano<\/p>\n

Duration\u00a0: 11\u2019<\/p>\n

Year\u00a0: 2013<\/p>\n

First performance\u00a0: El\u00edas Ongay (tenor), Mar\u00eda Paz Sotullo (piano), Casa Fern\u00e1ndez Blanco, Buenos Aires, Argentina, 2013<\/p>\n

Le Chat<\/strong><\/h4>\n

Instrumentation\u00a0: soprano, piano<\/p>\n

Duration\u00a0: 2\u2019<\/p>\n

Year\u00a0: 2012<\/p>\n

Poscimur<\/strong><\/h4>\n

Instrumentation\u00a0: tenor, piano<\/p>\n

Duration\u00a0: 6\u2019<\/p>\n

Year\u00a0: 2011<\/p>\n

Le Cimeti\u00e8re Marin<\/strong><\/h4>\n

Instrumentation\u00a0: narrator, piano<\/p>\n

Duration\u00a0: 10\u2019<\/p>\n

Year\u00a0: 2010<\/p>\n

Film music<\/strong><\/h1>\n

Muere, Monstruo, Muere – Alejandro Fadel<\/strong><\/h4>\n

Year\u00a0: 2018<\/p>\n

Details : Best film music – Sadaic Prize. Film selected in \u00ab\u00a0Un certain regard\u00a0\u00bb, Festival de Cannes 2018.<\/p>\n

https:\/\/www.imdb.com\/title\/tt8311792\/<\/a><\/p>\n

Short film music<\/strong><\/h1>\n

Esquiva – Mariano Nante<\/strong><\/h4>\n

Year\u00a0: 2009<\/p>\n

https:\/\/www.imdb.com\/title\/tt1548965\/?ref_=nm_knf_t2<\/a><\/p>\n

Todos tienen algo que ocultar excepto yo – Iv\u00e1n Vescovo\u00a0<\/span><\/h4>\n

Year : 2010<\/p>\n

https:\/\/www.imdb.com\/title\/tt1759751\/?ref_=nm_knf_t3<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

chamber music \u2013 choir\/vocal ensemble \u2013\u00a0concerti \u2013 orchestral \u2013 electro-acoustic \u2013 mixed music \u2013 pedagogical \u2013 piano \u2013 solo \u2013 voice&piano – film and short film music\u00a0 Chamber \/ Ensemble Music Estrella de la ma\u00f1ana – ocho canciones sobre poemas de Jacobo Fijman Duration : 20′ Year : 2019 Instrumentation : soprano and chamber orchestra…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-723","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/pages\/723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":31,"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/pages\/723\/revisions"}],"predecessor-version":[{"id":1093,"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/pages\/723\/revisions\/1093"}],"wp:attachment":[{"href":"https:\/\/alexnante.com\/fr\/wp-json\/wp\/v2\/media?parent=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}