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| Piece | Instrumentation | Duration | Year | Details | First performance | Category |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
El vino secreto |
Two harps |
2′ |
2022 |
Alina Traine, Emmanuel Padilla Holguín. UNA, Buenos Aires, Argentina. 12.05.2022 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
String quartet nº 2 « Escenas y Sueños » |
20′ |
2021 |
Commissioned by Herrenhaus Edenkoben with the support of the Ernst von Siemens Musikstiftung. Edited by Durand/Universal Music Publishing Classical. Dedicated to the JACK quartet |
JACK Quartet. Herrenhaus Edenkoben, Germany. 05.11.2021 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cuaderno |
Viola, accordion. (Viola d’amore ad libitum in the last movement) |
9′ |
2021 |
Commissioned by Les Sauvages |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ocho escenas |
Violin, viola, cello, piano t; |
12′ |
2020 |
Commissioned by Léman Lyriques Festival |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
String quartet nº 1 « Prima Materia » |
20′ |
2020 |
Commissioned by Lucerne Festival. Written for Quatuor Diotima. Edited by Durand/Universal Music Publishing Classical |
Quatuor Diotima. Lucerne Festival, Hochschule Luzern, Switzerland. 14.08.2021 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
El sol en diciembre |
Violin, cello, accordion |
11′ |
2020 |
Commissioned by Trio Fauve. Edited by Editions Henry Lemoine |
Trio Fauve. Artenetra, Abbaye royale de Celles-sur-Belle, France. 02.08.2020. |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Trois pièces pour Hannah |
Violin, piano |
7′ |
2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Miniature |
Violin, cello, accordion |
4′ |
2019 |
Trio Fauve. Regard du Cygne, Paris, France, 20.10.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Las noches de las piedras |
Flute, clarinet, piano, vibraphone, violin, cello |
17′ |
2019 |
Ensemble Musikfabrik. Peter Eötvös, conductor. WDR Funkhaus am Wallrafplatz, Köln, Germany, 15.09.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Dos aforismos |
Soprano saxophone, tenor saxophone |
4′ |
2019 |
Written for Altera Inde |
Altera Inde. Galerie ContreContre, Saint Maurice, Valais, Suisse, 26.04.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Altro castello |
Saxophone quartet |
4′ |
2019 |
Commissioned by Ensemble Rayuela. Based on Modest Moussorgski’s “Il vecchio castello” from “Pictures at an exhibition” |
Ensemble Rayuela. Conservatoire de Paris, France, 27.06.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Miniaturas Místicas |
Flute, soprano saxophone, vibraphone, guitar |
17′ |
2018 |
Written for Kaaos Ensemble |
Kaaos Ensemble. Forum Box, Helsinki, Finland, 06.04.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Viaje y dos caminos (Bodas Químicas II) |
Cello, cimbalom |
9′ |
2018 |
Inspired by the second chapter of the novel “The Chymical Wedding of Christian Rosenkreutz” of 1616 |
Bertille Mas (cello), Ion Curteanu (cimbalom). Attention – cultural center, Budapest, Hungary, 30.01.2019 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Dynamis |
Woodwind quintet (flute, oboe, clarinet, horn, bassoon) |
15′ |
2018 |
Written for the Peter Eötvös Mentoring Programme 2018 |
Camilla Hoitenga (flute), Cathy Milliken (oboe), Horia Dumitrache (clarinet), György Lakatos (bassoon), András Kovalcsik (horn). Budapest Music Center, Hungary, 06.10.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Epilogue |
Saxophone quartet |
3′ |
2018 |
Written for Keuris Quartet |
Keuris Quartet. Thailand International Composition Festival, Bangkok, Thailand, 08.08.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Bodas Químicas |
Flute, harp, bandoneón (or accordion) |
15′ |
2018 |
Commissioned by “Ciclo de conciertos de música contemporánea de Buenos Aires”. Inspired by the first chapter of “The Chymical Wedding ofChristian Rosenkreutz” of 1616 |
Patricia Da Dalt (flute), Lucrecia Jancsa (harp), Pablo Mainetti (bandoneón). Sala Casacuberta, Teatro San Martín, Buenos Aires, Argentina, 11.12.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
(N)octuor |
Saxophone, bassoon, vibraphone, accordéon, piano, two violins, doublebass |
8′ |
2018 |
Written for “Académie Musicale de Villecroze”, composition masterclass with Bruno Mantovani |
DAI musicians of Conservatoire de Paris. Alex Nante, conductor. Chapelle Saint-Victor, Villecroze, France, 06.07.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Quatre pièces pour saxophone soprano et shamisen |
Saxophone soprano, shamisen |
9′ |
2018 |
Commissioned by Masanori Oishi and Hidejiro Honjoh |
Masanori Oishi (saxophone), Hidejiro Honjoh (shamisen). Maison de la Culture du Japon, Paris, France. 26.05.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Les soirs incertains |
Clarinet, bassoon, trumpet, piano |
11′ |
2018 |
Hommage to Claude Debussy |
Joséphine Besançon (clarinet), Lomic Lamouroux (bassoon), Filip Orkisz (trumpet), Antoine Ouvrard (piano). “Centenaire de Claude Debussy” organized by Florent Boffard, Conservatoire de Paris, 29.03.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Rite et Jeu |
Clarinet, bassoon, trumpet, trombone, violin, double bass |
15′ |
2018 |
Written for the Peter Eötvös Mentoring Program 2018 |
UMZE Ensemble. Su-Han Yang, conductor. Budapest Music Center, Hungary, 14.02.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Chanson nocturne (pour se dire “au revoir”) |
Trumpet, piano |
6′ |
2018 |
Noé Nillni (trumpet), Natasha Roqué Alsina (piano). Petit Palais, Paris, France, 15.03.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Héraclite |
Flute (also alto flute), soprano saxophone, piano, percussion, harp, violin, cello |
12′ |
2017 |
Written for Ensemble Awkas |
Ensemble Awkas. Alex Nante, conductor. Hochschule der Künste Bern, Switzerland, 18.10.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Umbrales |
Flute, clarinet, violin, cello, piano,optional video |
11′ |
2017 |
Video by Juan Ignacio Guerra. Inspired by poems of Mirabai, Jacobo Fijman and Ibn Arabi |
Samara Pierpaoli (flute), Luciano Giambastiani (clarinet), Laura Hackstein (violin), Fabio Loverso (cello), Malena Levin (piano). Andrés Mila Prats, conductor. Centro Nacional de la Música, Buenos Aires, Argentina, 26.10.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fall from your springs |
Three pop-harps or celtic harps |
6′ |
2017 |
Written for Trio PopHarpe. Based on John Dowland’s “Flow my tears” |
PopHarpe Trio. Universidad Nacional del Arte, Buenos Aires, Argentina, 31.07.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ora |
Violin, viola, cello, optional narrator |
10′ |
2017 |
Commissioned by Trio à Cordes de Paris. Version with narrator based on a text by Bernardo Nante and Mariano Nante, written for Annie Dutoit and the music festival “Argerich’s Meeting point” in Beppu, Japan |
Without narrator: Trio à Cordes de Paris. Festival “Les Inouïes”, la Citadelle, Arras, france, 20.08.2017 With narrator: Annie Dutoit (narrator), Cecilia Isas (violin), Carla Regio (viola), Bruno Bragato (cello). Fundación Vocación Humana, Buenos Aires, Argentina, 09.08.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Trois nocturnes – Hommage à Claude Debussy |
Saxophone soprano, piano |
12′ |
2017 |
Commissioned by Claude Delangle and Odile Catelin-Delangle. Edited by Editions Henry Lemoine |
Claude Delangle (saxophone), Odile Catelin-Delangle (piano). Ciclo de Música Contemporánea del Complejo Teatral de Buenos Aires, Sala Argentina, CCK, Buenos Aires, Argentina,15.11.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tango – Étude |
Cello, accordion, piano |
7′ |
2017 |
Commissioned by Collectif Polymorphe |
Collectif Polymorphe.“Les musicales de Croissy”, Croissy, France, 21.05.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ocho variaciones sobre la imagen de un sueño |
Flute, bassoon, piano Spotify |
8′ |
2017 |
Included in the CD “Music for Bassoon and piano” – Carmen Mainer – Brilliant Classics |
Ana Mainer (flute), Carmen Mainer (bassoon), Enrique Escartín (piano). Ciclo de música de verano, Foro Romano de Zaragoza, Spain, 04.08.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Burial Path |
Flute, violin, piano |
8′ |
2017 |
Based on Stan Brakhage’s short film “Burial Path” (1978) |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Arcanum |
Two pianos, two percussion sets, optional dancers |
17′ |
2017 |
Ensemble Arcanum. Salle Varèse, Conservatoire de Lyon, France, 17.10.2018 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Sol Negro |
Flute, saxophone soprano (or clarinet), piano, violin, cello |
10′ |
2016 |
Soloists of Ensemble Intercontemporain and DAI musicians of Conservatoire de Paris: Sophie Cherrier (flute), Evgeni Novikov (saxophone soprano), Maroussia Gentet (piano), Hae-Sun Kang (violin), Pierre Strauch (cello). Conservatoire de Paris, France, 03.02.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Der Gelbe Klang |
Saxophone soprano (or clarinet), accordion |
5′ |
2016 |
Evgeni Novikov (saxophone soprano), Yohann Juhel (accordion). Concert “Over the Rainbow” organized by Clément Lebrun and Hae-Sun Kang,Philharmonie de Paris, 15.01.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Huit intuitions de nuit |
Flute, trumpet, viola |
8′ |
2016 |
Ensemble “Le Pli”: Amélie Feihl (flute), Noé Nillni (trumpet), Antonin Le Faure (viola).CRR de Paris, France, 18.06.2016 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Démocrite |
Flute, clarinet, bassoon, vibraphone, piano, harp, violin, viola |
4′ |
2016 |
Included in the CD “La música de nuestra casa” – Casa Argentina en París – Ministerio de Educación de la Nación – Ensemble Écoute |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
String quartet nº 0C “Lutum-Lumen” |
12′ |
2016 |
Delmege Quartet: Thomas Aldren (violin I), Kirsty Lovie (violin II), Joseph Fisher (viola), Hannah Innes (cello). Noirlac Academy of Quatuor Diotima, Noirlac, France, 2016 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres canciones sobre el amor y la muerte |
Violin, harp, piano |
12′ |
2015 |
Commissioned by IBERMÚSICAS |
Daniela Lucero (violin), Alina Traine (harp), Fernando Palomeque (piano). Maison de l’Argentine, Paris, France, 2015 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Quatre pièces (Quattro melodie) |
Flute, piano |
12′ |
2015 |
1st prize in composition competition “Les Inouïes”, Association Musique en Roue Libre, Arras, France |
Enrico di Felice (flute), Aurora Cogliandro (piano). Accademia di Belle Arti Tadini, Lovere, Italy, 2015 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
String quartet nº 0B “Umbrales” |
12′ |
2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kreise im Kreis |
Harp, percussion (crotales, glockenspiel, vibraphone) |
8′ |
2014 |
Ensemble l’Itinéraire. Université Paris 8, Saint Denis, France, 19.06.2015 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fugue-Divertimento |
Flute, clarinet, piano, vibraphone, violin, cello |
4′ |
2014 |
Excelsis percussion. Players Theater, New York City, USA, 02.12.2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Nostos |
Violin, piano |
12′ |
2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Avicinium |
Five clarinets |
9′ |
2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tempi Arcani |
Flute, vibraphone, piano |
8′ |
2014 |
SpazioMusica Ensemble: Enrico di Felice (flute), Roberto Migoni (vibraphone), Riccardo Leone (piano). Accademia Albertina, Torino, Italy, 2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Excepto el amor intenso… |
Flute, viola, harp |
7′ |
2013 |
Gabriel Alejandro Romero (flute), Alina Traine (harp). Fundación Vocación Humana, Buenos Aires, Argentina, 2014 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kosmeo |
Flute, clarinet, piano, violin, cello |
5’ |
2012 |
Flame ensemble: Chiara Scucces (flute), Emilio Checchini (clarinet), Jacob Ventura (violin), Veronica Fabbri (cello), Luisa Valeria Carpignano (piano). Andrea Cavllari, conductor. Museo Nazionale del Bargello, Florence, Italy, 2013 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Hermes |
Flute, oboe, clarinet, bass clarinet, bassoon, alto saxophone, tenor saxophone, baritone saxophone, horn, trumpet, trombone, euphonium, tuba, double bass |
9’ |
2012 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Aleph |
Flute, soprano saxophone, clarinet, cello, piano |
4’ |
2012 |
First prize composition competition “Teatro Nacional Cervantes” |
Juliana Moreno (flute), Fabio Goy (soprano saxophone), Sofia Kujta (clarinet), Alejandro Becerra (cello), Lorena Torales (piano). Martin Queraltó, conductor. Teatro Nacional Cervantes, Buenos Aires, Argentina, 2012 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Dialogue |
Vibraphone, piano |
10’ |
2012 |
Dúo Levare: Santiago Kuschnir (vibraphone), Nicolás Galpasoro (piano). Centro Cultural Aleph, Buenos Aires, Argentina, 2013 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
De anhelos y sombras |
Flute, clarinet, piano, violin and cello |
10’ |
2012 |
Ensemble OANM: Dante de Simone (flute), Cristian Piedrahita (clarinet), Victoria Gianera (piano), Jorge Caldelari (violin), Federico Sarudiansky (cello). CNBA, Buenos Aires, Argentina, 2012 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Lejos |
Violin, harp |
10’ |
2011 |
Alina Traine, Gonzalo Argüello. Fundación Vocación Humana, Buenos Aires, Argentina, 2011 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Abyssos |
String ensemble (8.6.4.2.1.) |
4’ |
2011 |
Honorable mention in “Concurso orquesta de cuerdas Sibelius” |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Five Gestures |
Violin, piano |
6’ |
2010. Rev: 2016 |
Jorge Caldelari (violin), Javier Mas (piano). Teatro Libertad, Buenos Aires, Argentina, 16.05.2017 |
Chamber / ensemble |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Concerto pour piano et orchestre « Luz de lejos » |
Solo piano, 2.2.2.2. / 2.1.1.0. / perc. I / cel. / hp. strings (10.8.6.4.3) |
22′ |
2021 |
Commissioned by Orchestre National de Lille. Edited by Durand/Universal Music Publishing Classical. Dedicated to Alexandre Tharaud. |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Concerto pour violon et cordes – « Bajo la estrella » |
Solo violin, strings (2.2.2.2.1.) |
17′ |
2019 |
Commissioned by “Musique aux 4 horizons” – Ronchamp. Written for Marianne Piketty |
Marianne Piketty, violin. Ensemble « Musique aux 4 Horizons ». Notre Dame du Haut (Le Corbusier), Ronchamp, France, 08.08.2019 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Flute concerto “de luz y sueño” |
Solo flute, 2.2.2 + 1b.cl.2. / 2.2.1.0. / perc.I.II.III. /cel. /hp.strings (10.8.6.4.3.) |
20′ |
2019 |
Commissioned by the Peter Eötvös Mentoring Program. Written for Camilla Hoitenga, Su-Han Yang and the Hungarian Radio Symphony Orchestra. Edited by Durand/Universal Music Publishing Classical |
Camilla Hoitenga, flute. Hungarian Radio Symphony Orchestra. Su-Han Yang, conductor. Liszt Academy, Budapest, Hungary, 26.11.2019. |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Arianna |
Solo violin, harpsichord, strings (2.2.2.2.1.) Spotify |
24′ |
2018 |
Commissioned by “Le Concert Idéal”. Written for the concert “Arianna”, in dialogue with the music of Pietro Antonio Locatelli. Concert conceived by Marianne Piketty and Olivier Fourés. CD released in Evidence Classics: Le Fil d’Ariane (Locatelli – Nante) Read more Extended version of “Arianna”: 28′ |
Marianne Piketty and « Le Concert Idéal ». Festival Les Traversées, Abbaye de Noirlac, France, 23.06.2018 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Concierto para piano nº 3 |
Solo piano, 3.3.3.3. / 4.3.3.1. / timp.perc.I.II.III.IV. / strings (14.12.10.8.6.) |
30′ |
2016 |
Fernando Palomeque (piano), Orquesta Juvenil Nacional José de San Martín. José Ariel Ramírez Duarte, conductor. Sala Argentina, CCK, Buenos Aires, Argentina, 18.09.2016 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Música Nocturna, for harp and nine instruments |
Solo harp, flute, two clarinets, trumpet, trombone, vibraphone, two cellos, double bass |
16′ |
2016 |
Commissioned by “Ciclo de conciertos de música contemporánea del Teatro General San Martín” |
Alina Traine (harp), Sergio Catalán (flauta), Federico Landaburu, Alejandro Cancelos (clarinets), Matías Nieva (trumpet), Julián Rodríguez Astorga (trombone), Favio Loverso, Alejandro Becerra (cellos), Carlos Vega (contrabajo), Bruno Lo Bianco (vibraphone). Santiago Santero, conductor. La Usina, Buenos Aires, Argentina, 20.11.2016 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Concierto para piano nº 2 |
Solo piano, 2 violins, viola, cello |
13′ |
2015 |
Ensemble Écoute: Fernando Palomeque (piano), Daniela Lucero (violin I), Kervi Bravo Araque (violin II), YuehNing Lee (alto), Angela Escauriaza (cello), Maison de l’Argentine, Paris, France, 21.06.2015 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Concierto para piano nº 1 “Evocación” |
Solo piano, flute, soprano saxophone, clarinet, horn, trumpet, trombone, 2 violins, cello, double bass |
15′ |
2013 |
Honorable mention in “Premios Nacionales 2010-2013” |
Axel Quincke (piano), ensemble “Geam” and invited musicians: Guadalupe Planes (flute), Ana Estefanía Schanton (soprano saxophone), Cristian Piedrahita (clarinet), Pablo Traine (horn), Javier Mas (trumpet), Alexis Gonzalez, (trombone), Gonzalo Argüello (violin I), Laura Wittmann (violín 2), Ellen Casey (cello), Yamila Angulo (double-bass). Conductor, Alex Nante. Auditorio Esnaola, Buenos Aires, Argentina, 2013 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Bruma |
Solo violin, 3.2.2 + 1b.cl.+2. / 4.2.2.1. / timp.perc.I.II. / hp./ strings (14.12.10.8.6.) |
10′ |
2011 |
Concerto (chamber / orchestral) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
El Río de Luz |
3.3.3.3. / 4.3.3.1. / perc.I.II.III. / cel. / hp. strings (14.12.10.8.6.) |
7′ |
2021 |
Commissioned by the Los Angeles Philharmonic Association. Edited by Durand/Universal Music Publishing Classical. Dedicated to Gustavo Dudamel and Los Angeles Philharmonic |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
O Nata Lux |
String orchestra. (minimum 8.6.4.3.2.) |
8′ |
2021 |
Commissioned by Fondazione Haydn di Bolzano e Trento. Edited by Durand/Universal Music Publishing Classical. Dedicated to Kent Nagano |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Sinfonía del Cuerpo de Luz |
3.3.3.3. / 4.3.3.1. / perc.I.II.III. / cel. / hp.strings (14.12.10.8.6.) |
21′ |
2021 |
Commissioned by Orchestre National de Lille. Edited by Durand/Universal Music Publishing Classical. Dedicated to Sir George Benjamin |
Orchestre National de Lille. Alexandre Bloch, conductor. Auditorium du Nouveau Siècle, Lille, France, 23.11.2021 |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Invocación |
2.3.2+1b.cl.2+1cbn. / 4.3.3.1. / timp.perc.I.II.III.IV. / hp.strings (14.12.10.8.6.) |
10′ |
2019 |
Commissioned by Teatro Colón. Edited by Durand/Universal Music Publishing Classical |
Orquesta Filarmónica de Buenos Aires. Enrique Arturo Diemecke, conductor. Teatro Colón, Buenos Aires, Argentina, 14.03.2019 |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
La pérégrination vers l’Ouest |
2.2.2.2. / 2.0.0.0. / timp.perc.I.II.III. / hp.strings (12.10.8.6.4.) |
10′ |
2015 |
Commissioned by the Orchestre National d’Île de France. First prize in composition competition “Île de Créations”. First prize “Premios Nacionales 2018”. Edited by Durand/Universal Music Publishing Classical. Inspired by Wu Cheng’en’s novel “Journey to the West” |
Avant première: Orchestre National d’Île de France. Jean Deroyer, conductor. Alfortville, France, 18.02.2016. Première: Orchestre National d’Île de France. Case Scaglione, conductor. Mennecy, France, 11.03.2016 |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Helles Bild |
2+1picc.3.3+1b.cl.2+cbn. / 4.3.3.1. / timp.perc.I.II.III. / hp.strings (14.12.10.8.6.) |
12′ |
2014 – Revision: 2018 |
2nd prize in the Basel Composition Competition 2019. Inspired by Wassily Kandinsky’s painting “Helles Bild” (1913). Edited by Durand/Universal Music Publishing Classical |
Basel Symphony Orchestra. Francesc Prat, conductor. Basel Composition Competition, Basel, Switzerland, 22.02.2019. |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres sueños lúcidos |
2.2.2.2. / 4.2.2.1. / timp.perc.I.II. / hp.strings (12.10.8.6.4.) |
10′ |
2013 – Revision: 2015 |
First prize composition competition “Guillermo Graetzer” of SADAIC, Argentina. There exists a version for a smaller instrumentation |
Orquesta Sinfónica Nacional. Mariano Chiacchiarini, conductor. Ballena Azul, CCK, Buenos Aires, Argentina,10.03.2017 |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fulgor |
1.1.1.1./2.1.2./timp./strings(10.8.6.4.3.) |
12′ |
2010 |
First prize composition competition “Daegu Contemporary Music Orchestra 2010” |
Daegu Contemporary Music Orchestra. Daegu, South Korea, 2010 |
Orchestral (20+ players) |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
A Subtle Chain |
Two versions. Soprano, chamber orchestra: Soprano, 1(also picc.).1.1(also b. cl.)1./1.1.1.1./perc./hp./2.1.1.1. Soprano, orchestra: 2(2º also picc.).2.2(2º also b. cl.)2./2.1.1.1./2 perc./hp./10.8.6.4.3. |
16′ |
2023 |
Commissioned by the Pisar Prize, in collaboration with Théâtre des Champs-Elysées, The Juilliard School and Villa Albertine. Dedicated to Judith Pisar. |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
The wind, so wild |
tenor, piano |
3′ |
2023 |
Commissioned by Oxford Lieder. Inspired by Hansel and Gretel. |
Magnus Walker, Eunji Han. Trinity College, Oxford, England. 22.04.2023 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Sinfonía no. 2 « Mystérion » |
Soprano, tenor, choir (SATB) and orchestra 2+1picc.3.2+1b.cl.2+cbn. / 4.3.3.1. / perc.I.II.III. / hp.strings (14.12.10.8.6.) |
22′ |
2022 |
Commissioned by Orchestre National de Lille. Edited by Durand/Universal Music Publishing Classical. Dedicated to Fundación Vocación Humana. Based on coptic gnostic texts, in collaboration with Prof. Lautaro Roig Lanzillotta. |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Los ojos y el vino I (más vino que ojos) |
Violin |
4′ 30 » |
2023 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Maturandum |
Harp or piano |
5′ |
2022 |
Devocionario, Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Umbrales del sueño |
Baritone, harp or piano |
10′ |
2022 |
Inspired by drawings of Mariana Sissia |
Alejandro Spies, Alina Traine. Centro Cultural de España, Buenos Aires, Argentina. 15.11.2022 |
Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Lumen – Ritual |
Soprano, harp or piano |
2′ |
2022 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Alma peregrina |
Harp or piano |
2′ |
2022 |
Devocionario, Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Canto del monte |
Harp or piano |
2′ |
2022 |
Devocionario, Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Apertura |
Harp or piano |
2′ |
2022 |
Devocionario, Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Luz de otoño |
Recorder |
5′ |
2022 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Pistis Sophia I |
Altus, two tenors, bass |
10′ |
2021 |
Commissioned by Ensemble thélème. Based on the gnostic text « Pistis Sophia » (3rd century A.D.) |
Ensemble thélème. Teatro Sociale, Bellinzona, Switzerland. 10.10.2021 |
Voice, Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Pequeña canción de agradecimiento |
Organ |
1′ |
2021 |
Devocionario, Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Doce himnos |
Two voices |
15′ |
2019 |
Devocionario, Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Puntos cardinales |
Narrator, soprano, alto, tenor, bass, organ |
50′ |
2019 |
Based on a text by Bernardo Nante |
Devocionario, Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Pueri Hebraeorum |
Soprano, alto, tenor, bass |
8′ |
2019 |
Devocionario, Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Dum medium silentium |
Soprano, alto, tenor, bass |
8′ |
2020 |
Devocionario, Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ave Maria |
Open instrumentation |
3′ |
2019 |
Devocionario |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Amor Ascendit |
Two voices, harp or piano |
2′ |
2019 |
Soledad Molina, soprano, Matías Tomasetto, tenor. Alina Traine, harp. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Agnus Dei |
Two voices, harp or piano |
4′ |
2019 |
Soledad Molina, soprano, Matías Tomasetto, tenor. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Credo |
Two voices, piano |
8′ |
2019 |
Soledad Molina, soprano, Matías Tomasetto, tenor. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Gratia Plena |
Voice, harp or piano |
3′ |
2019 |
Soledad Molina, soprano. Alina Traine, harp. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Invocación II |
Two voices, piano |
4′ |
2019 |
Soledad Molina, soprano, Matías Tomasetto, tenor. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
El hálito de los ángeles |
Piano |
4′ |
2019 |
Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cura Sui |
Voice, piano |
4′ |
2019 |
Soledad Molina, soprano. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Padre Nuestro |
Voice, harp or piano |
4′ |
2019 |
Soledad Molina, soprano. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kyrie Eleison II |
Two voices, harp or piano |
2′ |
2019 |
Soledad Molina, soprano, Matías Tomasetto, tenor. Alina Traine, harp. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kyrie Eleison I |
Voice, harp or piano |
2′ |
2019 |
Matías Tomasetto, tenor. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Catarsis |
Harp or piano |
2′ |
2019 |
Alina Traine, harp. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Solo, Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Invocación I |
Voice, piano |
2′ |
2019 |
Soledad Molina, soprano. Alex Nante, piano. Concert «Lumen de Lumine». Fundación Vocación Humana, Buenos Aires, Argentina. 26.10.2019 |
Devocionario, Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Estrella de la mañana – ocho canciones sobre poemas de Jacobo Fijman |
Soprano,1.1.1 + 1b.cl.1. / 2.1.0.0. / perc.I.II. / hp.strings (minimum 2.2.2.2.1.) |
20′ |
2019 |
Based on Jacobo Fijman’s book « Estrella de la mañana » (1931). Edited by Durand/Universal Music Publishing Classical. There is a smaller version for 1.1.1.1. / 2.1.0.0. / perc.I. / strings. Prix de composition de la Fondation Salabert 2020 |
Makeda Monnet, soprano. Ensemble Orchestral Contemporain. Daniel Kawka, conductor. Conservatoire de Paris, France, 25.09.2019 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Wú |
Soprano, chinese flutes (dizi and xiao), clarinet (also bass clarinet), pipa, violin, piano |
13′ |
2017 |
Inspired by the Dào Dé Jīng. Written for the project “Paris – Milan – Pekin”, organized by the Conservatoire de Paris, Conservatorio Giuseppe Verdi de Milano and Central Conservatory of Beijing |
Hsiao-Pei Ku (soprano), Baian Chen (dizi and xiao), Riccardo Acciarino (clarinet), Apolline Kirklar (violin), Fan-He Liu (pipa), Maroussia Gentet (piano). Conductor, Alex Nante. Conservatoire de Paris, France, 18.10.2017 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Canto da perda |
Soprano, flute, soprano/alto saxophone, violin, viola, accordion, harp, piano |
8′ |
2015 |
Finalist of the 2016 Salvatore Martirano Memorial Composition Award |
DAI musicians of Conservatoire de Paris: Youmi Kim (soprano), Rafal Zolkos (flute), Evgeny Novikov (saxophone), Malika Yessetova (violin), Iva Sruogyte (viola), Yohann Juhel (accordion), Léo Doumène (harp), Julien Blanc (piano). Conductor, Simon Proust. Conservatoire de Paris, France, 09.12.2015 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Himnos |
Three narrators, flute/alto flute, percussion, organ |
30′ |
2015 |
Humberto Cicia, María Ormaechea, Pablo Tizón (narrators), Gabriel Alejandro Romero (flute), Gonzalo Pérez Terranova (percussion), Alex Nante (organ). Iglesia San José, Buenos Aires, Argentina, 2015 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
La Table d’Emeraude |
Soprano, clarinet |
10′ |
2014 |
Recorded by Accroche Note. Based on the “Tabula Smaragdina”, attributed to Hermes Trimegistus |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
He esperado en Tí |
Baritone, harp |
11′ |
2013 |
Recorded by Víctor Torres (baritone), Alina Traine (harp). Based on the gnostic text “Pistis Sophia” (3rd century A.D.) |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Trueno: Intelecto perfecto |
Actress, flute, oboe, clarinet, bassoon, horn, trumpet, percussion (glockenspiel, tom-tom, gran-cassa, tam-tam), harp, soprano, alto, tenor, bass, violin, viola, cello, double bass |
14′ |
2013 |
Based on the gnostic text “The Thunder, Perfect Mind” (3rd century A.D.) |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Una Señal |
Soprano |
7′ |
2013 |
Based on the Apocalypse of St. John |
Lucía Lalane. Centro nacional de la música, Buenos Aires, Argentina, 2013 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Five songs after Sayat Nova |
Soprano, oboe, 2 violins, viola, cello |
8′ |
2012 |
I – I am the one II – How am I III – From the colours IV – Where can I ? V – We were searching |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
String Quartet nº 0A “Hinüber Wall Ich” with tenor soloist |
20′ |
2012 |
Elías Ongay (tenor), Julio Dominguez (violin I), Gonzalo Argüello (violin II), Juan Castellanos (viola), Lucas Caballero (cello). Fundación Vocación Humana, Buenos Aires Argentina, 2012 |
Voice |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cuaderno de pequeños cambios |
Soprano, piano |
17′ |
2020 |
Twelve songs |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Merci, Peter |
Soprano, piano |
2′ |
2018 |
Hommage to Peter Eötvös and the Peter Eötvös Foundation |
Anna Molnar (soprano), Fernando Palomeque (piano). Budapest Music Center, Hungary, 06.10.2018 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fijman, canciones |
Soprano, piano |
7′ |
2018 |
Mariana Fabião (soprano), Fernando Palomeque (piano). Maison de l’Argentine, Paris, France, 15.05.2018 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Himno al Dios desconocido |
Baritone, piano |
7′ |
2017 |
Based on a text by Proclus |
Víctor Torres (baritone), Fernando Palomeque (piano). Fundación Vocación Humana, Buenos Aires, Argentina, 16.07.2017 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
The Grief |
Tenor, piano |
5′ |
2016 |
Based on a poem by Rumi |
Elías Ongay (tenor), María Paz Sotullo (piano). Fundación Vocación Humana, Buenos Aires, Argentina, 2016 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
O baci avventurosi |
Tenor, piano |
4′ |
2015 |
Based on a text by Giambattista Marino |
Elías Ongay (tenor), María Paz Sotullo (piano). Fundación Vocación Humana, Buenos Aires, Argentina, 2015 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Romántica- Eight poems of Marra Signoreli |
Soprano, piano |
15′ |
2014 |
Partial performance: Anabella Montes (soprano), Alex Nante (piano). Casa Fernandez Blanco, Buenos Aires, Argentina, 2014. Complete performance: Anabella Montes (soprano), Ezequiel Castro (piano). Fundación Vocación Humana, Buenos Aires, Argentina, 2016 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Six songs from Rubaiyat |
Tenor, piano |
11′ |
2013 |
Based on the Rubaiyat of Omar Khayyam |
Elías Ongay (tenor), María Paz Sotullo (piano). Casa Fernández Blanco, Buenos Aires, Argentina, 2013 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Le Chat |
Soprano, piano |
2′ |
2012 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Poscimur |
Tenor, piano |
6′ |
2011 |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Le Cimetière Marin |
Narrator, piano |
10′ |
2010 |
Based on Paul Valéry’s “Le Cimetière Marin” |
Voice and piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cuatro melodías clamantes |
Horn |
8’ |
2020 |
Written for Zeng Yung |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Giga |
Violin |
1’ |
2020 |
Comissionned by Ars Nova Ensemble Instrumental for the project Mosaïque |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Mercurius Fugiens |
Oboe |
6’ |
2020 |
Edited by Editions Henry Lemoine |
Vicente Moronta. Festival Attacca, Hochschule für Musik Basel, Switzerland, 24.08.2020 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Corren los soles |
Guitar |
8’ |
2019 |
Comissionned by the International Guitar Competition Maurizio Biasini for the 2020 competition at the Teatro Comunale di Bologna, Italy. |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ya vijou svet |
Cello |
4’ |
2019 |
Based on a poem by Polina Streltsova |
Polina Streltsova, Les Nocturnes de l’Aude, Paris, France, 19.10.2019 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Les yeux de lumière |
Harpsichord |
2’ |
2019 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Incontri |
Saxophone soprano |
2’ |
2018 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Noctarios (I-VI) |
Harp |
20’ |
2017 – 2019 |
Noctarios I-II-III: Alina Traine. Maison de l’Argentine, Paris, France, 16.10.2017 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Trois pièces pour Léo |
Violin |
4’ |
2018 |
Written for Léo Marillier |
Léo Marillier. Chapelle de Brantes, Brantes, France, 28.07.2019 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fijman |
Harp |
5’ |
2018 |
Léo Doumène. FEMIS, Paris, France, 15.06.2018 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres preludios para Jacobo Fijman |
Harpsichord |
6’ |
2017 |
Philippe Despont. Festival “Les Inouïes”, Église Saint-Jean-Baptiste, Arras, France, 20.08. 2017 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Encuentro con la sombra |
Violin |
10’ |
2017 |
Malika Yessetova. Maison de l’Argentine, Paris, France, 15.05.2018 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Self – Reliance |
Trombone |
11’ |
2017 |
Hommage to Ralph Waldo Emerson |
Pablo Fenoglio. Centro cultural Paco Urondo, Buenos Aires, Argentina, 29.06.2018 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Evocaciones |
Vibraphone |
7’ |
2017 – Revision: 2020 |
Corentin Marillier. Conservatoire de Versailles, France, 21.06.2017 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Babel |
Cello |
4’ |
2016 |
Hommage to Jorge Luis Borges. Based on a short film by Santiago Franco and Mariano Nante |
Devree Lewis, Argentinian Embassy, Washington D.C. USA, 8.12.2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Nocturnal |
Flute |
7’ |
2016 |
First prize in “Etymos Ensemble” composition competition |
Francesco Gatti. Incontri Musicali a Teatro 2016, Borgo a Mozzano, Italy, 11.12.2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Im Bachschen Stil III |
Harpsichord |
2’ |
2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres preludios para Demócrito |
Harpsichord |
5’ |
2016 |
Jesús Noguera Guillén. Atelier von Nagel, Paris, France, 13.04.2018 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Anhelo II |
Accordion |
3’ |
2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Anhelo I |
Accordion |
4’ |
2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Retour du Rite |
Soprano saxophone |
9’ |
2016 |
Edited by Éditions Henry Lemoine |
Evgeni Novikov. Nordic Sax Festival, Royal Academy of Music, Aarhus, Denmark, 05.05.2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Im Bachschen Stil II |
Violin |
1’ |
2016 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Im Bachschen Stil I (nach Paul Klee) |
Violin |
6’ |
2016 |
Marie-Claudine Papadopoulos. Kirche Lünern, Kirchweg, Unna, Germany, 29.07.2017 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Toccata – Étude |
Harpsichord |
5’ |
2015 |
Camille Romuald. Conservatoire de Reims, France, 2015 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Étude |
Violin |
6’ |
2015 |
Winnie Huang, Reims, France, 2015 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Étude |
Double bass |
9’ |
2015 |
Commissioned by “Forum international de création musicale et théâtrale” |
Yannick Trotoux. Réponses XX – XXI, Annecy, France, 07.05.2015 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Lila |
Harp |
5’ |
2014 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Garuda |
Flute |
5’ |
2014 |
Finalist in Flute New Music Consortium Composition Competition 2015 |
Gabriel Alejandro Romero. La Vidriera, Buenos Aires, Argentina, 2014 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Monólogo |
Cello |
5’ |
2013 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Stillness and Furor |
Violin |
4’ |
2013 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cinco Meditaciones (From Fifteen hymns for the alchemical images of Lambsprinck) |
Harp |
7’ |
2013 |
Alina Traine. Centro cultural Aleph, Buenos Aires, Argentina, 2013 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Enantiodromia |
Organ |
15’ |
2013 |
Karolina Juodelytė. Druskomanija festival, Vilnius, Lithuania, 2014 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Three mysteries |
Flute |
4’ |
2010 |
Solo |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kundalini |
3’ |
2022 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Luces menores, preludios |
10’ |
2020 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Luz, preludios |
10’ |
2020 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
El Vino |
5’ |
2019 |
I- El Vino del mundo II- El Vino de la amada III- El Vino de Cristo (Él vino) |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Invocation |
8’ |
2017 |
Optional contemporary piece for the finalists of Concorso Pianistico Internazionale Ferruccio Busoni 2019. Edited by Durand/Universal Music Publishing Classical |
Maroussia Gentet. Concours d’Orleans, France, 10.03.2018 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Otras iluminaciones (from Diario de junio) |
8’ |
2017 |
Ezequiel Castro. Mozarteum Argentino, conciertos del mediodía, Sala Argentina, CCK, Buenos Aires, Argentina, 03.07.2019
|
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Iluminaciones (from Diario de junio) |
11’ |
2017 |
Fernando Palomeque. Casa Fernández Blanco, Buenos Aires, Argentina, 2017
|
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Mevlana |
7’ |
2017 |
Hommage to Rumi |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Two diary entries (from Diario de mayo) |
6’ |
2016 |
Finalist in the composition competition “Fondation Franz Liszt”, Italy. 2nd prize in “Anton Matasovsky Composers Competition”, Austria |
Ludovico Troncanetti. Fête du Paradis, Villa Tesoriera, Torino, Italy, 2017 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fuga a seis manos |
Piano (three musicians) |
3’ |
2016 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Cinco Años |
5’ |
2016 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Jardín al amanecer- Jardín al atardecer |
4’ |
2016 |
Commissioned by NICHTSALSSCHONHEIT Magazine |
Partial performance: Johanna Lou Hoyer. Berlin, Germany, 2015. Complete performance: Ezequiel Castro. Fêtes de Lumières, Musée des Beaux-arts, Lyon, France, 08.12.2018 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Diario de Abril |
50’ |
2015 |
01/04 Berceuse – 02/04 A Michael – 03/04 Retiro – 04/04 Alina I- Encantamiento – 05/04 Padre Nuestro I – 06/04 Liebeslied (Schumanneske) – 07/04 Primera meditación – 08/04 Segunda meditación – 09/04 Tercera meditación – 10/04 Anne et Lior – 11/04 A Santiago – 12/04 Alina II- Zusammenleben – 13/04 Deseos – 14/04 Contraste- a Daniel – 15/04 Romance – 16/04 Contrapunto arcaico – 17/04 Alina III- Sueños – 18/04 Schönberg – 19/04 Alina IV- Poemas que se disuelven en el viento – 20/04 Canción para despedir a alguien – 21/04 A Stefano – 22/04 Alina V- Ensueños – 23/04 A Gil et Fips – 24/04 Mirabai – 25/04 Alina VI- Diálogo – 26/04 Iniciación – 27/04 Padre Nuestro II – 28/04 Días y noches – 29/04 Alina VII- Transformación – 30/04 El amor y la separación (Ibn Arabi) |
Partial performance: Victoria Gianera. Casa Fernández Blanco, Buenos Aires, Argentina, 15.08.2015. Complete performance: Jacob Rhodebeck. Modern Piano (+) Festival, Spectrum, New York City, USA, 06.12.2019 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Espectros |
5’ |
2015 |
Alex Nante. Maison de l’Argentine, Paris, France, 2015
|
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Diario de febrero |
25’ |
2014 |
01/02 Primera campana – 02/02 El amor comienza con la fuerza – 03/02 Trama – 04/02 Secreto – 05/02 Pi – 06/02 Rapsodie – 07/02 Fervor – 08/02 Fi – 09/02 Fuerza – 10/02 La menor I – 11/02 La menor II – 12/02 La menor III – 13/02 La menor IV – 14/02 Il dolce canto – 15/02 Umbra – 16/02 Hybris – 17/02 Katabasis – 18/02 Abierto – 19/02 Oriente – 20/02 Inconsistencias – 21/02 La fuerza comienza con el amor – 22/02 Encuentro – 23/02 The end of sorrow is passion – 24/02 Causalidad – 25/02 Parménides – 26/02 Tombeau de Paco de Lucía – 27/02 Otro canto – 28/02 Dhyana |
Partial performance: Victoria Gianera. Casa Fernández Blanco, Buenos Aires, Argentina, 10.08.2014 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Diario de enero |
25’ |
2014 |
01/01 Mareo – 02/01 Continua Fe – 03/01 Confusa – 04/01 Trabajo – 05/01 Des Bruders Heimkehr – 06/01 Sudor – 07/01 Toda creación es secreto – 08/01 Ritmo – 09/01 Resistencias – 10/01 Perdón siempre – 11/01 Días – 12/01 El eterno descanso de los que buscan – 13/01 Resistencias II – 14/01 La barca – 15/01 Confesión – 16/01 Desenfreno – 17/01 La vía media – 18/01 Oleaje – 19/01 Naïve – 20/01 Mantra – 21/01 Búsqueda – 22/01 Miércoles – 23/01 Energía – 24/01 Chopiniana – 25/01 Banalidad – 26/01 Canción del amor al mundo – 27/01 Lontananza – 28/01 Desenfreno – 29/01 Compasión – 30/01 Ábaris – 31/01 Viaje |
Partial performance: Victoria Gianera. Casa Fernández Blanco, Buenos Aires, Argentina, 10.08.2014 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fifteen hymns for the alchemical images of Lambsprinck |
20’ |
2012 |
Matías Olivieri. Maison Heinrich Heine, Paris, France, 2015
|
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres Fuerzas |
6’ |
2012 |
Ezequiel Castro. Casa Fernández Blanco, Buenos Aires, Argentina, 10.08.2016
|
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Mass |
10’ |
2012 |
I – Kyrie Eleison – II – Credo – III – Gloria – IV – Sanctus – V – Agnus Dei |
Alex Nante. La Plata, Argentina, 2012 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Fragments of light |
10’ |
2012 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Sufi |
6’ |
2010 |
Solo piano |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Furor Aetatis |
4’ |
2016 |
Concert ELECTRO(S), Conservatoire de Paris,France, 2017 |
Electroacoustic |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Étude “Glossolalia” |
5’ |
2015 |
Conservatoire de Paris, France, 2015
|
Electroacoustic |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Estrella de la mañana |
Piano, electronics |
9’ |
2017 |
Inspired by Jacobo Fijman’s book “Estrella de la mañana” (1931) |
Antoine Ouvrard. Conservatoire de Paris, France,23.03.2017 |
Mixed music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Prana |
Piano, electronics |
9’ |
2013 |
Ezequiel Castro. Casa de la Cultura, Ramos Mejía, Buenos Aires, Argentina, 26.07.2014 |
Mixed music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Corren las albas |
6′ |
2021 |
Text by Jacobo Fijman. Commissioned by Fondation Banque Populaire, for the project « Hambourg-Paris », conceived by Kent Nagano. Written for Hamburger Alsterspatzen. Edited by Durand/Universal Music Publishing Classical |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Ave Maria |
5′ |
2019 |
Aurea Polifonía, Museo Isaac Fernández Blanco, Buenos Aires Argentina. 30.11.2019. Edited by Ediciones GCC |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Oh, Marvel |
7′ |
2015 |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Tres Himnos Órficos |
10′ |
2013 |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Der Abend |
5′ |
2012 |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Kyrie-Agnus Dei |
9′ |
2011 |
Choral |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Pour rester vivant -melodrama in three parts on a text by Anne-Claire Jaulin |
Soprano, violin, harp, piano, video |
21’ |
2019 |
The three parts can be played individually, as concert pieces: I – “Maria Virgine” – soprano, violin, harp – 5’ – II – “Elle va le coucher” – harp, piano – 8’ – III – “Je suis une bougie” – soprano, violin, harp, piano – 8’ |
Makeda Monnet (soprano), Malika Yessetova (violin), Léo Doumène (harp), Antoine Ouvrard (piano). “Approches croisées du récit”, FEMIS, Paris, France, 18.06.2019 |
Theatre |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Der Kaiser von Atlantis – Sebastián Alfie |
2019 |
Film music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Muere, Monstruo, Muere – Alejandro Fadel |
2018 |
Best film music – Sadaic Prize. Film selected in “Un certain regard”, Festival de Cannes, 2018 IMDB |
Film music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Todos tienen algo que ocultar excepto yo – Iván Vescovo |
2010 |
Film music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Esquiva – Mariano Nante |
2009 |
Film music |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Life, Dream, Light, Silence -spielBar |
For at least 3 performers. No instruments needed |
5’ to 10’ |
2019 |
Commissioned by Ensemble Musikfabrik and the spielBar program |
Students of Anna-Freud-Schule, WDR Funkhaus am Wallrafplatz, Köln, Germany, 15.09.2019 |
Pedagogical |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Suite no. 1 pour enfants “Présences” |
Chromatic or standard-bass accordion |
6’ |
2017 |
Conceived by Yohann Juhel. Edited by Éditions Henry Lemoine |
Pedagogical |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Siempre |
Viola |
1’ |
2017 |
Pedagogical |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Bosquejos y Selvajos |
Flute, oboe, 2 clarinets, bassoon, percussion, 2 violins, viola, cello, double bass |
5’ |
2016 |
Commissioned by “miniAula” of the Mozarteum Argentino. I-Aves (fl. ob. 2 cl. bsn.) – II-Cocodrilos (2 vln. vla. vc. cb.) – III-Serpientes (fl. ob. cl. 2 vln.) – IV-Elefantes (bsn. perc. vc. cb.) |
Pedagogical |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Trois Intuitions |
Violin, guitar |
4′ |
2015 |
Finalist in composition competition “Boulogne Billancourt 2016”, honorable mention |
Marc Guilloteau (violin), Charlotte Bretaudeau (guitar). Conservatoire de Boulogne Billancourt, France, 2016 |
Pedagogical |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Eugène Ysaÿe – Poème élégiaque |
Violin solo and strings (1.2.2.2.1.) |
14′ |
2021 |
Commissioned by Marianne Piketty and Le Concert Idéal |
Marianne Piketty et Le Concert Idéal. Auditorium du Nouveau Siècle, Lille, France. 13.01.2022 |
Arrangements |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Lili Boulanger – D’un matin de printemps |
Violin solo and strings (1.2.2.2.1.) |
6′ |
2021 |
Commissioned by Musique aux Quatre Horizons. Written for Marianne Piketty. Based on the orchestral version by Nadia Boulanger |
Marianne Piketty, Ensemble M4H. Notre-Dâme du Haut, Ronchamp, France. 07.08.2021 |
Arrangements |
Instrumentation |
Duration |
Year |
Details |
First performance |
Category |
|
Lili Boulanger – D’un soir triste |
Violin solo and strings (1.2.2.2.1.) |
10′ |
2021 |
Commissioned by Musique aux Quatre Horizons. Written for Marianne Piketty. Based on the orchestral version by Nadia Boulanger |
Marianne Piketty, Ensemble M4H. Notre-Dâme du Haut, Ronchamp, France. 07.08.2021 |
Arrangements |